文章从日常生活的休闲和审美角度来分析宋词，从人的感官的精致化，即内在自然的进一步人化为起点，通过审美观照使日常生活内容无一不可以入词，而情感的深化和理智的哲思最终又让宋词达到了对生命的旷达和超越境界。宋词主题内蕴的发展深化正契合了休闲境界的提升过程，从日常生活的享乐和愉快走向审美的自由与超越。

From the perspective of daily life of leisure and aesthetics , this paper analyzes Song Ci from the sensory refinement, which further humanizes nature as a starting point , thus takes everything into aesthetic daily life account.The emotional depth and rational thinking let the Song Ci of life beyond the realm of life . And it is believed that the development of the theme deepens Song Ci''s content and fits it into the leisure realm of ascension process from the enjoyment of daily life and happy towards aesthetic freedom and surpass .

宋词是“依曲填词”、“应歌而作”，其句式组合可以说是一种流动的、更倾向于音乐性的结构．比唐诗更多地采用直接倾诉的方法来抒情。而独特的“领字“技法的运用，更给宋词的句式增添了一种主观倾诉的力量。显得亲切、自然而有力。

A piece of Song Ci is composed to a given tune or song, so the sentence combination tends to be flowing and melodic, and direct emotion expression is used more frequently in Song Ci than what is in the Tang poetry. In addition, the use of the unique technique, "lingzi", adds a power of subjective expression to the sentence styles of Song Ci, thus making it look more pleasing, natural and powerful.

文章主要采用以宋论宋的方法，指出晚宋词学区分宋词为豪气词与雅词两大阵营：既摒弃不拘音律的豪气词派，又汰黜守律派词中的浮艳而归趋醇雅。守律派著名词人吴梦窗的论词四标准和创作实践与宋代特别是晚宋词学合流共趋；其词学观点与带有先锋实验性质的创作实践，是“由南追北”二元走向的词家转境，守律派词学与词风因之具有了词史的典范意义。

This article is to evaluate the Ci-poetry of the Song Dynasty from the perspective of the Ci-poetics developed in that period.In the late Song period, scholars divided Ci-poems into two categories: the heroic and the elegant.They disapproved the heroic ones that broke the rules of meter, rhythm or rhyme;for those written in regular meter or rhyme patterns, they would depreciate them as well if they were written in excessively flowery and ornate style.Wu mengchuang, a poet of the Shou-lv ( formal-rule-abiding ) group, heralded the trend of Ci-poetics in the Song, in particular the late Song dynasty.Both his statement of four criteria for Ci-poetry and his pioneering and experimental Ci-poetry creation reflected the bifurcated trend of“continuing the Southern Song style while learning from the northern style”.Thanks to his efforts, the Shou-lv group, with its Ci-poetics and its Ci-poetry style, acquired a unique position in the history of Ci-poetry.

词的诗化,开拓了题材领域,创新了艺术风格,促进了词的雅化,并表现在标题、小序、自注、次韵、联章、叙事、议论等诸多方面。宋词的诗化,经历了酝酿、奠基、高原、延续四个阶段。宋词诗化的动因,主要在于社会变革,在于作者社会生活发生的巨大变化。

The poeticization of Ci opens up a subject field, innovates the artistic style, and promotes the Ci’s ele-gance, which is reflected in the aspects of the title, the preface, the self-annotation, the replying rhyming, the uni-topic, the narration, and the argument. The poeticization of Song Ci experienced the four stages including brew-ing, laying the foundation, reaching the plateau and continuing. The reasons for the poeticization of Song Ci lie in both the social transformations and the tremulous changes in authors’social life.

韩愈是唐代文化学术史上承前启后、转旧为新的关键人物,其诗文对宋诗、宋词都产生了重要影响。他以奇崛险怪称名于中唐诗坛,但其对宋词产生最大影响的诗歌,却以细婉轻柔、冲淡自然、率意真切的作品为主。与之相类,韩文中的临山摹水篇章、赠序类散文中的写景咏物部分、韩集中的笔墨游戏、戏谑诙谐之作以及韩文中凝练出来的成语习语等,都成为宋词着力取法的对象。从具体词人来看,王安石、苏轼、辛弃疾、刘克庄等受韩愈影响最大。

Han Yu was a key figure who served as a link between past and future in the cultural and academic history of Tang Dynasty. His poetry and prose had a significant impact on Song poetry and Songci. He won his great grotesque fame in the Mid Tang Dynasty, while had the biggest influence on Songci with gentle calm natural and smooth prose and poetry. His prose works descripting landscapes and banters with idioms and allusions all affected Songci greatly. Wang Anshi, Su Shi, Xin Qiji, Liu Kezhuang etc. got the greatest influence of Han Yu’s prose from the perspective of writers.