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双语推荐：张爱玲

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张爱玲受到多种宗教的影响，其中基督教博爱意识和原罪思想影响着张爱玲的人生观和价值观，形成了张爱玲的宗教情怀。
Zhang Ai-ling is affected by the various religious, of which the Christian fraternity consciousness and the original thought affects the zhang ailing''s outlook on life and values, formed the Zhang Ai-ling''s religious feelings.

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在现代小说家中，张爱玲无疑是一个能够让我们深深铭记的著名作家。在张爱玲的作品中，我们可以感受到那种女人独到的视角和语言，同样的事件在张爱玲笔下会演绎出不同的风格，从而带给读者以深刻的感受。张爱玲的小说带有浓郁的张氏色彩，在语言风格上凝练并且意义深刻，能够一下子抓住读者的眼球。从张爱玲创作的小说来看，其整体创作风格独具一格，其小说语言也负有一定的特色，张爱玲小说所取得的成功，主要应归结于其小说语言的成功。基于这一认识，我们应认真研究张爱玲小说语言对现代小说创出产生的影响，促进现代小说创作水平的提升。
In the modern novelists, Zhang Ai-ling is a famous writer can make us remember. In Zhang Ai-ling''s works, we can feel the unique perspective and language of woman, the same event will deduce different style under Zhang Ai-ling''s pen, in order to bring readers with deep feeling. Zhang Ai-ling''s novels with rich Zhang''s color, the language style is concise and profound in meaning, can suddenly seize the reader''s eyes. From the creation of Zhang Ai-ling''s novels, the writing style is unique, the novel language has certain characteristics, achieves the success of Zhang Ai-ling''s novel, mainly due to the language of the novel. Based on the understanding, we should seriously study the language in Zhang Ai-ling’s novels, set on the impact of modern novels, to promote modern novels to upgrade the level.

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在大众消费文化时代,影视等图像压挤了文学生存空间,文学有危机感,大学文学教学也遭遇困境。但有的作家如张爱玲在图像时代逆势上扬,文学教学可选择张爱玲这类作家为突破口以摆脱困境。在教学中,教学内容有张爱玲的传奇人生、张爱玲40年代创作的小说、根据张爱玲小说改编的影视等;每一个教学环节都有相应的原则与教学方法;重要的方法有"语图结合"教学法等。
In the era ofmassconsumerculture,moviesand televisionprogramssqueezed theexistingspace of literature, an embarrassing situation ofthe college literature teaching. However, some writers like Eileen Chang went upstream,which couldhelp it through.This article thus suggested thatEileen Chang’s legendary life, her fictions in 1940s, films and TV plays adapted from her fictionscan be selected and instructed in an appropriate method to integratetexts and motion pictures.

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张爱玲的《异乡记》首次将笔触伸向沪、港之外，展示了张氏眼中充满奇异色彩和震惊感的乡土世界。尽管作品没有写完，却成为张爱玲创作农村题材小说的重要资源，并开启了张爱玲后期自传体写作的先河，值得特别关注。
Strange Country by Eileen Chang, for the first time, extends her touch beyond Shanghai and Hong Kong, revealing a rural world of strange colours and a shocking sensation in her eyes. Although the work was unfinished, it became an important source of subject matter for Eileen Chang’s rural fiction and paved the way for her late autobiographical writings, something that warrants special attention.

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张爱玲笔下的女性形象是始终引起学者们关注的问题,本文在汲取前人的研究成果之上,从心理特征、思想特征和命运特征三个方面对张爱玲小说中的女性形象进行分析,以期借此更好地解读张爱玲。
Female image in Eileen chang’s novel is always cause scholars’concern, on the basis of previous research achievements, this article attempts to start from the psychological feature, ideological feature and fate feature these three aspects to analyze the female image in Eileen chang’s novel and try to do a better thinking about it.

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随着现代传媒的发展,传奇女作家张爱玲的作品成了影视剧改编的宠儿。然而遗憾的是,改编后的影视剧往往难以把握张爱玲作品的精髓。文章通过具体作品的分析,以期为张爱玲作品的多媒介传播提供一些建议,使经典名著能更充分地实现其艺术价值。
Along with the development of modern media ,Zhang Ai-ling’s works have become the darling of TV drama .To our disappointment ,the adapted works can’t grasp the spirit of her works . Based on some specific works ,the article attempts some suggestions for the media spreading of Zhang Ai-ling’s works ,making world-famous works show their real artistic value .

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张爱玲香港时期电影剧本与她散文、小说的风格大异其趣，甚至与她上海时期电影剧本也相去甚远，本文从封闭式和开放式、张扬之美和约束之美、“几何点”的时间感和“倏忽”的时间感三个方面，比较论述张爱玲香港时期电影剧本的独特性，试图勾勒出张爱玲隐匿多年的另一副面孔。
Eileen Chang’s film scripts in her Hong Kong period are vastly different not only from her essays and fiction but also from her film scripts in her Shanghai period. In this article, the author discusses the uniqueness of her film scripts in her Hong Kong period by comparing the three aspects of the said scripts, which are the shift from enclosure to openness, the beauty of obtrusiveness and restraint, and the time sense of“geometric points”and of“transience”, in an attempt to delineate another face of hers that remains hidden for many years.

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张爱玲认为,五四新文学具有浓重的浪漫主义倾向。这种浪漫主义倾向刻意地理想化人物和生活,掩盖了现实的真相。20世纪40年代,通过"新文艺腔滥调"的提法,张爱玲申明了自己对于浪漫主义的排斥,而特别能够体现张爱玲对浪漫主义的态度的,是她创作于50年代的小说《五四遗事——罗文涛三美团圆》。在这篇小说中,通过戏仿和影射五四一代的人和事,张爱玲表达了对于浪漫主义的嘲讽和批判。
In Eileen Chang’ s view, May Fourth literature has a strong romantic tendencies.This romantic tendency deliberate-ly idealistic people and normal lives, conceals the truth of reality.In the 1940’ s, in reference to “New Literary Cliche”, Eileen Chang stated her rejection to Romanticism.And in the story May Fourth Romance which wrote in 1950’ s, Eileen Chang showed her irony and criticism to romanticism by using parody and innuendo .

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“年表”作为作家传记中不可缺少的内容，必须做到真实准确。然而在张爱玲传记之一《我的姊姊张爱玲》一书中，“张爱玲生平·作品年表”却出现多处错误和遗漏。这一现象也从一个侧面体现出中国现代文学研究在文献史料问题上的不严谨，从学科发展角度来说，应该更加重视文献史料的发掘和整理。
A“chronological table”, integral to the biographies of an author, must be true and accurate. However, the chronological table of Eileen Chang’s life and works, in Eileen Chang, My Older Sister, is full of mistakes and omissions, which in part reflects the imprecision in the documentary sources and historical material of the literature in relation to the studies of modern Chinese literature. More attention should be paid to the unearthing and reorganization of documentary sources and historical material from a developmental angle in the discipline.

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张爱玲在散文集《流言》中刻画了一种与众不同的现代人形象,主要表现在三个方面:真——对世俗生活的认真与执着;奇——对人生的一切保持着强烈的好奇;疑——对现实浸透着怀疑的精神,而这样的现代人形象又几乎是张爱玲自身的缩影,是一种"张式"形象,于此展现生存于上个世纪上海孤岛环境中另一个真实的张爱玲。
In Written on Water,Eileen Chang depicted an unusual image of modern man with three main traits: truthful-sincere and persistent to secular life; inquisitive-curious about everything in life;sceptical-having doubt about reality. This image is almost an incarnation of Eileen Chang herself,an image in her own style. In this way, a real Eileen Chang living in Shanghai---an isolated land in the last century was displayed.

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