伍尔夫的经典作品《达罗威夫人》，通过对两条线索的并行与交织表现了现代人精神恐惧的普遍性。作为经典的意识流小说，《达罗威夫人》熟练运用自由联想的手段和内心独白和蒙太奇的意识流技巧，打破时空的自然顺序，使作品完美呈现了意识流小说的文本特征和艺术特色，真实地反映出20世纪初西方人灵魂的骚动和心灵的渴求。

Virginia Woolf’s Mrs. Dalloway presents the spiritual trepidation among modern humans in two parallel and mixed plots. As one of her classic works, Mrs. Dalloway vividly reflects the turmoil in the soul and morbid craving of the westerners in the 20th century by demonstrating the typical textual features and artistic characteristics of stream-consciousness novels-free association, breakup of time order, inner monologue and technique.

汪曾祺是中国现代文学史上较早使用意识流手法作小说的作家之一,在他之前只有废名、徐志摩、林徽因、李健吾等创作过意识流小说。除废名的作品未受西方影响外,其他都有"摹仿、实践心理分析和意识流技巧的鲜明印痕。但是从质与量两方面来说,用力最勤、成就最高者当属汪曾祺。"自1941年3月2日通过沈从文在《大公报》上发表《复仇》(其副标题为"给一个孩子讲的故事")始,汪曾祺陆续发表了《待车》、《小学校的钟声》、《绿猫》、《礼拜天的早晨》等具有意识流性质的小说,数量不多但很有质量,也很有他自己

Wang Zengqi is a one of writers who relatively early wrote short stories with stream -of-consciousness technique in modern Chinese history of literature .Wang Zengqi focused stream of consciousness novel in his early works .His novels were based on the collision and fusion between Chinese lyric literature tradition and the western modernism literature ideological trend , and had elements of prose and poetry .To his later years , he pro-posed to return to the realism , and return to national traditions , which tend to be more skilled in the art .

《墙上的斑点》是典型的意识流作品,它由凌乱无序的意象拼贴而成,从而阻碍了读者对该作品的解读。但是,如果从"视角"的角度分析该文本,那么《墙上的斑点》即成框架叙事的典范。"叙述自我"的话语生产叙事框架,"经验自我"的话语形成嵌入叙事镶嵌在宏观叙事框架当中。

The Mark on the Wall is a typical work of stream of consciousness. Haphazard and separate images are pieced together, which poses much difficulty in interpretation of the work. However, if ana- lyzed from the perspective of ＂focalization,＂ the short piece is a quintessence of framework narrative. The ＂narrating self＂ produces the frame narrative into which narratives generated by the ＂ experiencing self＂ are embedded.

在阐明弗吉尼亚·伍尔夫意识流小说《到灯塔去》心理叙事、内心独白和心灵对话、多重聚焦、心理时间与现实时间交织等叙事特色的基础上,利用了一个基于及物性分析理论和文本世界理论的认知叙事学理论框架对小说的以上叙事特色进行分析,发现及物性分析确定叙述对象,叙述者角色是理解内心独白和心灵对话的线索,文本世界指示转移和心理时间引发的文本世界套层和转移是读者与文本互动的关键,为意识流作品读者阅读过程的认知做出了新尝试。

The narrative skills of Virginia’s “Stream-of-Consciousness”novel To the Lighthouse are mainly reflected in taking human feelings as narrative objects,the use of indirect character monologue and psychological dialogue,indefinite multi-focus and the perfect combination of psychological time and real time.On the basis of transitivity theories and the text world theory,a cognitive narrative theoretical framework is proposed and some excerpts from the novel are analyzed,and it is concluded that transitivity analysis shows readers the object of narration, the narrator is the clue for the understanding of indirect character monologue and psychological dialogue,and text world transfer is the key step in the writer-reader interaction,thus providing a functional-cognitive perspective for the study of the narrative strategies of “Stream-of-Consciousness”novels and diminishing the reading difficulties of these novels on the standpoint of the readers.

对于王蒙个体和当代文学史来说,《这边风景》都是别具典型意义的作品。小说深入、直观地展现了作家16年新疆生涯,饱含着当年的王蒙与今日的王蒙对青春岁月的极大热忱与真诚。它以丰富的经典细节,表现了革命年代边疆百姓的切肤生活和情感,而"意识流"和"小说人语"手法的运用,扩展了作品的艺术表现力,构成了作家穿越文化时空的灵魂对话。

TheLandscapeHere is a representative work both for Wang Meng and for the history of contemporary literature. Depicting his 16 years'' career in Xinjiang, it is full of the author''s enthusiasm and sincerity in the prime of his life. With rich classical details, the novel shows us the borderland people''s life and emotion in the revolutionary era. Application of stream of consciousness and the words of the novelist extends the artistic expressive force, forming a soul dialogue which can transcend space and time.