田汉早期剧作深染西方近代新浪漫主义感伤唯美格调，但中国古典戏曲及其理论对田汉的影响更为内在。田汉与传统戏曲及艺人有深厚渊源，其早期剧作深得剧作中国传统戏曲之古典美，用意象营造意境、以淡化情节连缀剧作审美主体的心灵写意性，形成田汉早期剧作浓重的“诗情化”创作特征。

Tian Han''s early drama sentimental aestheticism new romantic drama with modern Western style , but impact on Tian Han Chinese classical dramatic theory is more intrinsic .Tian Han traditional drama gene, classical conception theory of traditional Chinese Opera plays , legends, Freehand and other factors to decide the nature of Tian Han''s early works were heavily "poetic"creative characteristics.

"代田法"是汉武帝末年开始施行的一种农田"垄作"体系。目前学界对"代田法"的研究多集中在耕作技术层面,鲜有关注代田法与汉匈军事斗争的联系。在西汉武帝时期,西汉政府与北方匈奴的军事斗争势态,对"代田法"的产生原因、推行时间及选种植物三个方面产生了影响。基于对这种关系的考察以及对西汉历史背景的分析,试图对"代田法"这一古老的农耕技术做出新解读。

Daitianfa is a traditional agrotechnique in ancient China , which was popularized in the Western Han Dynasty .Most of researchers focus on the aspect of agrotechnique , but few link this agrotechnique with the war between the Xun nationality and the Han nationality during the Western Han Dynasty period , which had an impact on the implementation of the farming method .Based on the analysis of the relationship between the farming method and the war , this article tries to reconsider the historical background of the agricultural technique and make a new interpretation of Daitian farming method .

目的：探讨森田疗法联合认知教育治疗躯体化障碍的疗效和安全性。方法将63例躯体化障碍患者分为两组。研究组32例，予以森田疗法联合认知教育治疗；对照组31例，口服帕罗西汀治疗。观察12周。于治疗前后采用汉密顿焦虑量表及副反应量表评定临床疗效和安全性。结果治疗12周末，研究组显效率为59．4％、有效率为87．5％，对照组分别为46．4％、82．1％，研究组高于对照组，但差异无显著性（ P＞0．05）。研究组无严重不良反应，对照组出现胃肠道反应终止治疗3例。结论森田疗法联合认知教育治疗躯体化障碍疗效显著，依从性高，治疗前期疗效低于药物治疗，但治疗后期疗效优于药物治疗。

Objective To explore the efficacy and safety of Morita therapy combined with cognitive educa-tion in treatment of somatization disorder (SD) .Methods Sixty-three SD patients were assigned to re-search group (n= 32) treated with Morita therapy combined with cognitive education and control group (n=31)with paroxetine for 12 weeks .Efficacies were assessed with the Hamilton Anxiety Scale (HAMA) and adverse reactions with the Treatment Emergent Symptom Scale (TESS) before and after treatment . Results At the end of the 12th week obvious effective and effective rate were respectively 59 .4% and 87 .5% in research and 46 .4% and 82 .1% in control group ,the former was higher than the latter ,but differences were not significant (P>0 .05) .Research group had no severe adverse reactions ,3 patients of control group stopped treatment because of gastrointestinal reactions .Conclusion Morita therapy com-bined with cognitive education has an evident effect and better compliance in treatment of som

传统诗词是中华诗国的瑰宝之一。抗日战争时期，以田汉、柳亚子为代表的桂林诗词家群促进了诗词的复苏。他们的诗作，真实地反映了当年国难深重的社会生活画面和作者们的心灵历程，起到了凝聚人心、团结群众、打击敌人的巨大作用，具有很高的历史价值和文学价值。在新的历史时期，我们应该摈弃传统的偏见，对抗战诗词给予充分肯定，进而开发利用其独特的历史文化价值，为实现强国梦服务。

The traditional poems and Ci poems are one of cultural treasures in China .During the period of Anti -Japanese War ,the school of Guilin poem ,with spokesmen such as Tian Han and Liu Yazi ,revived the development of poetry in Guangxi .The anti-Japanese poems and Ci vividly painted the social life pictures ,reflected the serious national calamity at that time ,and unfolded the authors’ spiritual pilgrimage .So the works have high historic and literary value ,which manifests itself in the cohesion of ,and the unification of the people ,fighting against the enemy ,etc .In our new historic time ,it is necessary to abandon prejudice against the anti -Japanese poems and probe in the historic and cultural value of the anti -Japanese poems , which might be helpful for the actualization of Chinese dream .

谷崎润一郎发表于1942年的随笔《昨今》,回忆了旧友田汉、欧阳予倩和郭沫若,并谈及胡适、周作人、丰子恺和林语堂四人的创作。这是抗战时期一份带着特殊年代印记的、对中国新文学作家的独特述评。《昨今》既抒发了对旧友的思念与关切,也表达了个体在特殊时代的复杂感受。同时,《昨今》也不可避免地带有那一时代的日本解读中国的视角,对窥探战时日本文坛的中国现代文学阅读与接受具一定的启示意义。

In the essay Yesterday Today published in 1942, Junichiro Tanizaki recalled the old friends Tian Han, Ouyang Yuqian and Guo Moruo, and spoke about the creations of four men including Hu Shi, Zhou Zuoren, Feng Zikai and Lin Yutang. This is a special document criticizing about the writers of China New Literary with the unique time’s mark during the war of Resistance Against Japanese Aggression. In Yesterday Today, Junichiro Tanizaki expressed the recalls and concerns of his old friends, and also described the complex individual experience in that particular era. Meanwhile, the essay also inevitably exists the perspective with which the Japanese writers interpretated China at that time. So it must be a certain degree of enlightenment in the essay that can give an insight into how modern Chinese literature to be read and accepted by the Japanese literary circles in war.