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双语推荐:莲意象

”是宋词中十分重要的一种花卉意象。源于的生长特性,高雅纯洁,是有别于百花所独有的神韵美感,也是宋词莲意象神韵美的精髓。由此,成为宋代词人心仪的“君子”花,具有了人格象征蕴涵。宋人在对的描绘中,深深地寄寓着个体人生的种种意趣:洁身自好的人生追求,孤傲自持的个人操守,骚雅风流的精神风貌,超然自得的处世态度,高蹈出尘的超迈风姿,谦冲淡泊的个性品格。显示了宋词独特的艺术魅力。
"Lotus" is a very important floral imagery of SongCi. Pure and elegance that give lotus special charms are also the essence of lotus charm in SongCi. Lotus is a gentleman in the Song Dynasty poet’s hearts, and it is personality symbolism. They ignite all sorts of pursuit in the lotus:to keep pure in the pursuit of life, aloofness and self sustained in the personal integrity.The Elegant spirit, self-satisfied attitude, out of the secu-lar, indifferent to fame and fortune character. which display the unique artistic charm of SongCi.

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是受历代文人关注和喜爱的一种名花异卉,也是宋词中十分突出和重要的一种花卉意象。词人对的物色美有全面而深刻的体认,从的叶、花、柄、蓬、子、藕的局部特征,到一株、一片的风姿,从的花香,到其叶、柄、藕的香味,从嗅觉到味觉,对不同环境诸如雨中、风里、月下的的神态等,都有出彩的描绘。体现出宋人怡情自然、高雅脱俗的生活情趣,显示了宋词独特的艺术魅力。
Lotus is the favorite of the Chinese men of letters, and an important flower image in Song Ci. The poets generation after generation have a comprehensive and profound knowledge of lotus. Lotus are observed by the poets from various angles: leaf, petal, seed, floral scent, leaf scent, squid scent, the seed scent, taste to nose, lotus in the rain, and lotus under the moonlight, etc. They describe all things relating to lotus, reflecting all their spiritual pursuits and making Song Ci radiate unique charms.

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西方哲学意象观认为,意象与人的意识、思维、记忆等精神能力和心智活动密切相关,它一直是哲学反思和思辨的对象。西方哲学的意象观经历了古代本体论意象观、中世纪基督教神学意象观、近代认识论意象观和当代心灵哲学意象观等几种类型的历史演进。
Image is closely related to consciousness, thought, memory and other mental activities, and it is always the object of reflection and speculation in philosophy. Imagery in western philosophy goes through several historical changes from ancient ontological imagery, to medieval Christ theological imagery, then to modern epistemological imagery and fur-ther to imagery of mental philosophy.

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《艺术即意象》一书乃是在中外意象艺术论的基础上,提出"艺术即意象"的观念,试图以"意象"范畴为核心而建构起一种现代艺术学的理论体系,即所谓"意象艺术学"。该书既有对于"意象"范畴的深入辨析,又有着对于"意象"所蕴涵的审美精神及文化意蕴的诠释,意象之于人类艺术本体论的价值及艺术史意义的系统揭示。
Synopsis: Based on the domestic and foreign art theories of image, Art Is Image conceives the idea of “art is image”, making an attempt to construct a system of modern art theory with focus on the category “image”, which is caled “Image Arts”. Not only does Art Is Image thoroughly analyze the category of “image”, but also systematicaly reveals the aesthetic spirit and cultural implication embodied in “image”, the value of image to the ontology of human arts and the signiifcance of image to the art history.

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意象是诗歌的灵魂。它是指词语通过组合表达某种特定的意念而让读者得之言外的语言形象,它是中国古典诗学和西方意象派诗中重要而独特的概念。感官意象溢出情趣美,模糊意象荡出意蕴美,联想意象托出生动美。本文拟就庞德的《在地铁车站》与张若虚的《春江花月夜》中感官意象,模糊意象意象联想三方面进行比较,揭示这两首诗之间的意象联系。
Image is the basic element of poem ,referring to some combinational relationship a-mong words to let the readers be known the specific motif and got sub audition .Character-ized by the unique concept in the imagery poetry ,the application of imagery aesthetics had been applied to the poets both at home and abroad .On the bases of the three aspects of sen-sory perception ,fuzzy image and imagery association ,the paper makes the comparison be-tween the two typical poems ,that is ,In the Station of Metro and A Moon Night in Spring River .

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针对罐车形态提出风格意象约束的设计方法,建立风格意象变量与形态设计变量之间的映射模型,通过实验获取描述罐车形态的形容词对,分析国外主要品牌产品的风格意象特征,建立罐车形态风格意象意象空间。提出面向风格意象的罐车形态设计方法,并根据此方法设计出符合客户风格意象要求的案例。
Based on the research of product style image ,established the mapping model between style image variable and form de-sign variable using semantic different method and image scale in the research of tanker form style image .The adjectives of tanker form were obtained and the image space of tanker form was build .The method of tanker form design for style image could enhance the production continuous innovation and maintain the sustainable development of enterprises .

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帕尔默文化语言学是一种以意象为核心的文化语言理论。意象根植于文化,语言是意象的载体,因此,意象的解读与语言和文化有关。在意象英译的过程中,译者需要对其进行正确的解读,并尽可能地在译入语中寻找和原文对应或者相近的意象进行传达。文章以帕尔默文化语言学为视角,从语言和文化两个维度对《红高粱家族》意象英译进行分析,探讨意象缺失与误译的原因,试图为汉语文学意象英译提供相应启示。
Palmer’ s cultural linguistics takes images as its core .Imagers are rooted in culture and lan-guage is the carrier of images .Therefore , the interpretation of images is associated with language and culture . In the English translation of images , the translator should interpret the images accurately and find the corre-sponding or similar images to convey the images in the original text .Red Sorghum is rich in images.Based on Palmer’s cultural linguistics, this paper tries to analyze the missing and mistranslation of images from the di-mensions of language and culture and it also concludes the causes of the missing and mistranslation of images to throw light on the English translation of images in Chinese literature .

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弗罗斯特诗歌中有很多色彩意象。这些色彩意象主要有白、红、蓝、黑、绿等。弗罗斯特诗歌中的一些花草名以及诗的题目的色彩效果也十分突出。弗罗斯特在同一首诗中将若干不同的色彩意象或相同的色彩意象呈现出来,有时他还把相反的色彩词并置在一起,而有的时候他则在同一首诗中使用多种色彩意象。弗罗斯特还将色彩意象与动觉意象和其它意象结合在一起使用。弗罗斯特诗歌中使用的色彩意象拉近了读者与自然的距离,赋予其诗歌多重暗示意义。弗罗斯特诗歌中的色彩意象展现了美丽的自然,具有愉悦功能。
Frost''s poems are full of color images, which mainly include white, red, blue, black, green, etc. The names of flowers and grasses and the titles of his poems also have strong color effect.Frost presents several dif-ferent color images or same color images in the same poem, sometimes he juxtaposes contradictory colors, and he also adopts many color images in the same poem.Besides, Frost mingles color images with kinesthetic images and other images.Color images in Frost''s poetry shorten the distance between the readers and nature, make his poems full of symbolic meanings, present a beautiful nature for readers and amuse the readers at the same time.

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中国人的思维是一种意象思维,多采取观物取象、立象以尽意的思维方式。这种思维方式决定了中国人常常通过刻画审美意象来抒写情感、创造某种艺术形象。在传统文学思维中,"西楼"意象就是这样一种意象思维。它经历了从诗词中的西楼具象到意象的形成及对戏曲中西楼意象的演变,通过对袁于令《西楼记》中西楼意象的分析,可以发现它对建构戏剧情境的重要作用。
The Chinese thinking is a kind of imagery thinking, often abstracting images from viewing, and using imagery to express meaning. Thinking in this way, the Chinese often depict aesthetic images to express feelings and to create some kind of artistic image."West tower"is an image thus formed. Through analysis of the west tower in Yuan Yuling''s Story of the West Tower, we can ifnd the important role of this image in creating the dramatic situation.

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在新农村建设快速发展时期,作为川西平原新农村的代表,绵竹年画村呈现的景观色彩意象具有典型性。首先,立足于川西平原地区独特的自然和人文背景,分析年画村景观色彩意象的历史沿革;其次,基于色彩地理学理论通过田野调研,从环境景观色彩意象、植物景观色彩意象、建筑景观色彩意象、民俗景观色彩意象四个方面对年画村景观色彩意象现况进行系统探讨,揭示色彩属性与色彩意象之间的定向关联;最后,总结出年画村对川西平原新农村景观色彩规划的启示:色彩意象是重要的地域资产意识、景观色彩意象的构建方法、打造美丽乡村景观线路理念、参与式景观色彩规划思想,希望对新农村景观色彩规划的发展起到积极的推动作用。
With the development of new rural construction, the Mianzhu New Year Painting Village, as a representative of the new rural area in the western Sichuan Plain, presents a typical colorscape image. Firstly, based on the unique natural and humanism background, this study analyzes the historical evolution of rural colorscape image in New Year Painting Village. Secondly, through ifeld investigation and theoretical references of color geography, it systematically explores the current situation of colorscape image of New Year Painting Village from the perspective of environment, plants, architecture, and folklore, thus the directional associations between color properties and color images are revealed. Finally, it is pointed out that regional colorscape image is a very important asset to local area, and it also proposes the colorscape image construction methods, beautiful rural landscape line building concept and participatory rural colorscape planning idea. It’s expected that it w

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