随着后现代史学的发展,传统历史学"宏大叙事"方式受到了冲击和挑战,史学研究"微观化"渐成大势,却导致断裂历史的"碎片化"现象滋长,引起学界争议不断。文章通过探索后现代史学思潮影响下"宏大叙事"危机和面临的挑战,分析后现代史学"微观化"研究视角的发生发展,梳理史学"碎片化"现象和方家论争,希冀运用后现代史学合理科学的研究方法,避免由于割裂历史导致难以对历史进行重建和复原,推动史学研究与时俱进。

With the development of post-modern historiography, the Mata-narrative as a traditional way to express history was faced with great challenges. It is a trend that history research goes in a microcosmic way, but the result is that the fragmentation phenomenon expands rapidly which causes big controversy. This passage attempts to explore the crisis of Mata-narrative under the influence of post-modern historiography, and analyze the microcosmic perspective of history research and the fragmentation phenomenon and academic debate in the present academia. In order to use the reasonable methods of post-modern historiography in history research and avoid taking difficult in history reconstruction, so the history research can be promoted with the develop-ment of times.

在革命经典文本中,对于身体及其欲望的基本处理路径就是政治化,用马克思主义式的宏大叙事进行规约和编码;而在＂后革命时代＂,马克思主义式的宏大叙事已因语境的延异而陷入绝境,发生了认识论断裂,表征为各种微观的文化政治。近年来,＂底层书写＂对身体、政治和性进行解辖域化并生成为微观政治。通过对《少男》文本能指的认知论断裂分析,比较这两种同具左翼色彩的文本对身体、政治及性之关系的异质性编码路向深描,尝试挖掘文本欲望叙事的生命政治踪迹。

The basic way to deal with the body and desire is to politicize, displine and encode it with Marxism grand narrative in revolutionary canonical texts. Marxism grand narrative representing, however, in post-revolution era, micro-cultural politics falls into aporias because of contextual differance in politics, thus epistemological rupture comes into being. Bottom narrative, in recent years, deterritorializes body, politics and sexuality and becomes micro-politics. The trace of biopolitics in textual desire is delved, thick description of encoding way to heterogeneity by comparison of the two different leftism texts on the relation armong body, politics and sexuality on the basis of the exact analysis of text signifier of the novel Boy by means of epistemological rupture.

冯玉雷的后现代主义小说写作运用了戏仿式的叙事技巧，表现为以神话书写和传奇再造等为主要特点的叙述策略。这一叙事技巧既在戏仿性的书写中以神话性思维再现宏大叙事的神圣性意义，展现人类精神的超越与梦想；又以现代语境为映照在戏仿中形成一种解构式的幽默化、嘲讽化和戏谑化的叙事格调，形成对传统神圣化的宏大叙事的非神圣性意义体验。在文本叙事中神圣性和戏谑性的双重格调形成作品一种内在的意义张力，从而使其写作具有了丰厚的现代审美意味。

Parody is the narrative skill that Feng Yulei applies in his postmodernism fictions ,which is completed by the mythological description and legendary recreation .Parody reveals the divinity through mythological thinking ,as well as the genre of humor and irony through modernism contexe .The paper holds that the divinity and irony in the fiction is an inner force to demonstrate its modern aesthetic value .

在当代“符号消费”的空间语境中，建筑学本体语言正经历着严峻的考验和嬗变，传统的“宏大叙事”模式正悄然转向为对“日常空间”的关注。本文借由当代日本建筑师石上纯也的作品，展开对当今建筑本体语言的批判性审视。

In the contemporary context of"symbolic consum-ption"space, the architectural ontology language is undergoing the severe test and evolution, the traditional pat ern of "grand narrative"is quietly turned to focus on"daily space". This art-icle bases on the works of the contemporary Japanese archite-cts, Shishang Qunye, to develop a critical scrutiny of today''s architectural ontology language.

文章以《风声》、《铁人》、《建党伟业》等主旋律电影为例,对近年来主旋律电影在创作手法上的特点进行分析,探讨近年来主旋律电影的成功在于融和大历史于人性最普通却又最闪耀的时刻、宏大叙述中融入新的题材元素、现代影像技术注入宏伟叙事的建构中。

Based on the films of the Wind, iron man, The Founding of the Chinese Communist Party, etc in recent years, the characteristics of creation technique of movie theme in recent years is analyzed. The success of how to merge new elements, the most shining moment, and the modern imaging technologies into grand narratives of the films is also discussed.