徐枕亚在《玉梨魂》的写作中多次点出对宝黛爱情的赞赏及叹息,何梦霞与白梨影的爱情与宝黛爱情也颇有相似之处。将两部小说中的主人公进行比较,可以发现徐枕亚对宝黛爱情的理解并不是全面的,一方面徐枕亚吸取了宝黛二人的人物形象特点以及二人之间的相处模式,但是在更重要的命题也就是小说整体情感的抒发上,徐枕亚对《红楼梦》的理解停留在表面的"悲凉"上,并未思考这种悲凉的深层原因,也未能将它成功地在自己的作品中表达出来。观照《玉梨魂》对《红楼梦》的借鉴关系,我们可以对《玉梨魂》的价值有更加准确的把握。

In the writing of The Soul of Yu Li,Xu Zhenya repeatedly points out the appreciation to the love between Jia Baoyu and Lin Daiyu. The love between He Mengxia and Bai Liying is also quite similar to that between Jia Baoyu and Lin Daiyu. Comparing the heros of the two novels,we can find out that Xu Zhenya''s comprehension of the love between Jia Baoyu and Lin Daiyu is superficial. Xu Zhenya draws benefit from the features of the character image and the mode of getting along of the two characters. However,in the more important part,that is,the emotional expression of the novel, Xu Zhenya''s understanding of A Dream of Red Mansions stays on the surface of the "sadness",not considering the deep reason of the"sadness",and not expressing this"sadness" successfully in his works. By exploring the reference of The Soul of Yu Li from A Dream of Red Mansions we can has a more accurate comprehension of the value of The Soul of Yu Li.

伍迪·艾伦以敏感的视角、神经质的洞察以及悲凉的情怀让女性角色的塑造从尴尬的"花瓶"回归至"非本真"的现实世界,使其镜头中的女性透出若隐若现的忧郁气息,这其中凝聚着对女性的哲学思考,也投射着他的悲剧意识。

By his sensitive perspective,neurotic insight,and sad and dreary feelings,Woody. Allan makes the creation of female roles come from embarrassing“vases”back to the“untrue”practical world,and makes the females in his shots reveal looming melancholy atmosphere. All this embodies his philosophy thinking of the female,and also projects his tragedy consciousness.

“陇首”由地理方位之名，经过汉代文人创作，以及由民歌进入乐府的过程，形成了以悲凉为特质的文学意象。南朝边塞、赠答、征戍、闺怨等主题诗中，多涉及陇首意象，这与南朝诗人对北方“陇首”一带的想象性构建密不可分，是南朝文学对唐代边塞诗意象群形成作出的贡献。

“Long shou”, a geographic name, was changed into a literature image by the creative scholars in the Han Dynasty, of which many folk songs were collected into Yuefu. The Southern Dynasties’conversation poems, guarrison poems, boudoir repinings poems were often discussed “Long shou”, involving imaginative creation of the Southern Dynasties’poet. This is the Southern Dynasties’ contribution to the forming of the group of “Long shou” literature image of the Tang Dynasty’s conversation poems.

李清照是我国诗词史上一位重要的女词人。她的词以凄婉哀凉见著，而且显示出前后词风的变化。词人所处社会的动荡和身世的变动成为词风变化的主要原因。李清照的词总是洋溢着浓浓的相思之情，或是离愁别绪，或是悲凉绝望。为我们呈现词的魅力的同时，也使我们认识亍一住生活在动荡年代的伟大的词人。

Li Qingzhao is an important poetess in Chinese poetry history. Her poetry is famous for the excellent use of sad mood, and it was differ- ent between the previous poetry and the latter poetry. It mainly because of the unstable society and the change of herself＇s life. Li Qngzhao＇s poetry often has a heavy mood of miss, she missed her husband and her relatives. Her poetry let us the beauty of this type of art, and she also let us know herself： one great poetess.

李贽既是思想家、学者，又是一位诗人。丰富的人生经历、多种社会文化角色的交融，形成了他博大精深的思想体系，也形成其诗人情感的丰富深广，并不乏绚丽浪漫情调。思想家的深刻睿智与学者的博学醇厚，又极大地助益其诗歌艺术．形成其诗歌通俗与雅致兼赡的语言特色，优美的意境，含蓄隽永的韵致，以及澹泊凄清与豪逸悲凉并存的风格特点。

Li Zhi is a thinker, a scholar and at same time a poet. The rich experiences and various social roles are the resources for his profound ideology, and for his sentimental personality. The wisdom of a thinker and the erudition of a scholar contribute much to his art of poetry. Therefore, his poems are full of the characteristics as follows: the language is simple and tasteful; the artistic mood is elegant, with love, and meanwhile with some desolation.