《九歌?国殇》一篇之作者、作时及创作主旨，传统认为乃屈原为纪念楚国历年战争中为国牺牲之将士所作。但从《国殇》与《九歌》它篇风格之迥异及其语词绝不类于屈原所作《楚辞》它篇来看，《国殇》不仅非屈原之所作且也非《楚辞》之所属。而从《国殇》与《诗经?秦风?无衣》风格及《汉书》等文献所述秦人风尚之比较来看，《国殇》之风最近秦人。而考之《史记》等相关文献，《国殇》最有可能为秦人纪念在长平之战中死去的国中少年所作，其时间当是长平之战后即公元前260年后这一时间段。

Traditionally, Guo Shang (国殇) is thought to be written by Qu Yuan in memory of sacrificed sol-diers of the Chu in wars.In view of the wide difference of its style form other articles in Jiu Ge (九歌) and that of its words and sentences from other articles in Chu Ci (楚辞) written by Qu Yuan, it can be concluded that Guo Shang (国殇) is not written by Qu Yuan and it does not belong to Chu Ci (楚辞).In comparison with the style of Wuyi in the Book of Songs and according to the description of people in Qin in the Book of Former Han, the style of Guo Shang (国殇) is close to that of Qin’s people.Based on investigation into Historical Records and other related ma-terials, it can be deduced that the writer of Guo Shang (国殇) is most probably a person or persons in Qin to mem-orize the youth died in the War at Chang Ping after the year of 260 B.C.

江淹对《楚辞》的学习与运用,主要体现在三个方面:一是学习《楚辞》语言;二是学习《楚辞》结构;三是学习《楚辞》艺术手法。江淹模拟《楚辞》主要有三个原因:一是江淹长于拟古,喜欢拟古;二是汉魏以来有模拟《楚辞》的传统;三是江淹的身世遭遇与屈原有相似之处。

Jiang Yan’ s learning of Chu Ci and his practice are mainly reflected in three aspects. Firstly, he learned the lan-guage of Chu Ci;secondly he learned the structure of Chu Ci;thirdly, he learned the artistic technique of Chu Ci. There are three main reasons for Jiang Yan simulating Chu Ci. First, Jiang Yan is good at and likes simulating, the second was a tradition of simula-ting Chu Ci since Han and Wei dynasties and the third was Jiang Yan’ s experience which had similarities with Qu Yuan.

有关韩国古代楚辞版本研究,中国学者搜集韩国版本极为不易,韩国学者同样亦难以反观中国的楚辞文献。基于此,文章通过考证韩国国立中央图书馆藏钤安鼎福藏书印的《楚辞》钞本之钞录体例、钞录者及训释内容,以期推进韩国的楚辞版本研究。

I collected existing research on Chu Ci Studies both in China and in Korea, finding that research on Ko-rean versions of Chu Ci has not received enough attention because Korean versions collected by Chinese scholars are ex-tremely difficult, and Korean scholars also have much difficulty in reviewing China ’s literature of Chu Ci. Therefore, this article takes Transcript of Chu Ci sealed by Ahn Deung-Fuku in the National Central Library of Korea as an example to demonstrate the style of the transcript, the copyist and interpretations. Through the textual research, it can improve the re-search on Korean versions of Chu Ci.

蒋骥《山带阁注楚辞》是清代楚辞学的重要成果，与王夫之《楚辞通释》、戴震《屈原赋注》被誉为清代“鼎足而三”的楚辞研究著作。蒋骥在注本中所展现的重考据、求真求实的学术特色，常常被认为是乾嘉朴学的先声。蒋骥研注楚辞的学术特色的形成，一方面与清初学术风气的大环境相关，一方面又与蒋氏家学传统对其治学风格的培养密不可分。从武进蒋氏医家传统，蒋氏族人的博闻强记、擅文轻举业的天资，蒋氏几代人传承的自立立人的为学态度，蒋氏重视童子业、“共学”家学传统等方面考察蒋骥学术的生成，可以看到武进蒋氏家学对《山带阁注楚辞》学术特色的形成具有重大影响。

JiangJi’s Shandaige Annotation of Chu Ci is one important achievement in Chu Ci research .The book is famous for textual research and analysis in meaning .The book together with Wang Fuzhi’s Chu Ci Tong Shi and Dai Zhen’s Qu Y uan Fu Zhu was reminded as the most important Chu Ci researching works in the Qing Dynasty .The academic characteristics of textual criticism and positivism in the book are often considered as the pioneer of Qian-Jia Learning of Simplicity .The formation of the characteristics ,on the one hand ,is related to the academic environment at that time ,on the other hand ,is inseparable with the family tradition of learning .From Wujin Jiangs’ Chinese medicine tradition ,the talent of wide learning and a retentive memory ,being good at literature rather than imperial examinations and the independent at-titude in Jiang inheritance generations and the family learning tradition of paying attention to the children’ s’ study and cooperative researching ,it ca

楚国"信巫而好祀",所以要读懂《楚辞》,了解屈原,必须对楚巫文化有比较明确的认识。而在楚国文化由巫而史的发展中,屈原不是先行者,而是收获者。无论是诗歌的表现色彩,还是楚辞中处处渗透着的巫文化语言密码,都清晰的揭示出《楚辞》与楚巫文化继承并改造发展的源流关系。

Chu"believe in witchcraft and loving sacrifice",So to understand"The Songs of chu"for Qu Yuan, Chu Wu culture must be more clear understanding. Chu culture in the history of the witch and development, Qu Yuan is not a pioneer, but the harvester. Whether the performance poetry colors, artistic expression, or Songs of the South Witch permeates culture and language passwords, are clearly reveals the"The Songs of the South"and the Chu Wu cultural inheritance and transformation of the origins of the development of relations.