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双语推荐：王实甫

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黄梅戏《西厢记》在主控思想上和王实甫《西厢记》有前后承继之处，但黄梅戏剧目更突出了“真情’’的地位。黄梅戏《西厢记》在很多地方对王实甫作品进行了超越，这表现在故事更加真实可感、结尾更为合情合理、语言更加雅致等方面。黄梅戏《西厢记》也可被看作是黄梅戏改编文学经典的典范之作。
Huangmei Opera “XiXiangJi” inherited the one of Wang Shifu in the main control thought , but the Huangmei Opera highlight the “true love” position .the Huangmei Opera are beyond the works of Wang Shifu in many places ,which is reflected in the more realistic story ,more perfectly logical and reasonable ending , the more elegant language ,and so on .Huangmei Opera “XiXiangJi” can be viewed as the Huangmei Opera model of classics work .

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从元稹的唐传奇到董解元的诸宫调，再到王实甫的元杂剧，西厢故事在多种文体形式的演变下以不同的面貌出现并对当时及后世产生了重大的影响。本文将从体裁的演变、情节结构的深化以及思想主题的发展，探索西厢故事从《莺莺传》、《西厢记诸宫调》到《西厢记》的演变，并探讨王实甫《西厢记》的艺术价值。
From Literary Tales of the Tang to Dong Jieyuan''s Zhugongdiao, then to the Yuan drama , based on the evolution of many liter-ary forms , sixiang story with different performance have a great impact at that time and the later ages. From the perspectives of the evolu-tion of forms , the deepeningg of plot structure and the development of thoughts , this paper analyzes the evolution of sixiang story from tingying Biography , Zhugongdiao of West Chamber to West Chamber , and explores the artistic value of West Chamber.

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王实甫的《西厢记》是研究近代汉语的重要材料。《西厢记》中自称词的使用情况主要分为非谦称词和谦称词,其中非谦称词包括第一人称代词、复数自称词和身份自称词,谦称词包括"小"作词头、"贱"作词头及"愚""贫"等作词头的情况。
Wang Shifu''s works Xi Xiang Ji makes very important materials to the research on modern Chinese.This thesis classifies and analyzes the self-addressing terms in Xi Xiang Ji in details.The self-addressing terms in Xi Xiang Ji can be divided into two kinds:complimentary and non-complimentary words.The non-complimentary words include first-person pronouns,complex addressing words and identity addressing words;the complimentary words include“little”,“humble”,“foolish”and “poor”as the prefix of self-addressing terms.

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明代万历初，寓居南京的金在衡曾刊刻过一种《西厢记》。此书颇受时人关注，被誉为“善本”，但不久即散佚不见。借助明清《西厢记》评点家的引述，可以了解金本正文及评注的内容，并对其价值作出判断。在此基础上，进一步推断出金本乃是今存屠隆校正《合并王实甫西厢记》的底本。
In the early Wanli year of the Ming Dynasty , Jin Zaiheng living in Nanjing published a version of Romance of the West Chamber, which drew a lot of attention and was considered as rare book , but soon lost in histo-ry .In light of the quotations of the critics of Romance of the West Chamber in Ming and Qing Dynasties , can we un-derstand the text and commentary of the content of Jin ’ s version , so as to judge its value .On this basis , it can be further inferred that Jin ’ s version is the original version of today ’ s existence version of Tulong collation of Combina-tion of Wang Shifu’ s Romance of the West Chamber.

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王实甫的《西厢记》和白朴的《墙头马上》可谓是脍炙人口的爱情杰作。作品中主人公为了爱情不顾一切、不畏艰辛的精神也一向为人所称道。但是我们不得不思考，这样的追求值得我们去效仿吗？爱情在我们的生活中的地位到底是怎样的呢？现代人的爱情观是否也是追求这种至高无上的爱情呢？论文通过对调查研究成果的总结分析古今爱情观的异同，从而探讨爱情的意义和如何正确追求爱情。
BothWang Shifu’sThe West Chamberand Bai Pu’s Ideal Setting For a Couple In Loveare love masterpiece winning universal praise. The public also speak approvingly of protagonists’ spirit of pursuiting affection regardless of dififculties. However, we can not ignore the fact that whether it is worthwhile for us to imitate? What kind of status is love in our life? Whether modern people ispursuiting this kind of supreme love? Based on the summary of the investigation results, this paper analyse the similarities and differences of ancient and modern concept of love, so as to analyse the signiifcant of love and the way to pursuit love reasonably.

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王实甫的《西厢记》是元剧中最杰出的剧作，后来被改编成越剧、京剧、电影、电视剧等各种艺术形式，走上荧屏。国内外翻译家也对《西厢记》的文学读本进行了许多英译研究，而对《西厢记》其他艺术形式的唱词英译研究却相对较少。该文借鉴许渊冲先生的英译本，以越剧《西厢记》的唱词曲调为模板，探讨在保持唱词旋律不变的前提下，越剧《西厢记》唱词的可译性与不可译性问题，并总结解决问题的策略。
Romance of The Western Bower, written by Wang Shifu, is the most excellent drama among Yuan dramas, and has been adapted into various art forms such as Yueju Opera, Beijing Opera, movies, teleplays, etc. Although there have been a lot of stud-ies on the translation of the literary text of Romance of The Western Bower among national and international translators, the studies on the translation of other art forms of Romance of The Western Bower are relatively insufficient. Using the translation of Xu Yuan-chong for reference, based on the melody of Yueju Opera Romance of The Western Bower, this thesis is to discuss the translatability of libretto of Romance of The Western Bower under the condition that the melody of libretto won’t change, and summarize the strategies used in translation.

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