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双语推荐：魔幻小说

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莫言是中国当代文坛上语言成就极高的作家,也是东方魔幻现实主义的杰出代表。作为中国第一位诺贝尔文学奖的获得者,他为读者带来的不仅是跌宕恣肆的小说情节、酣畅淋漓的情感倾诉,更是激狂流畅的小说语言以及这些生动的语言营造出的奇诡虚幻的感觉世界。莫言的《生死疲劳》是一部魔幻色彩很浓的长篇小说,在这部小说里,比喻辞格的变异使用,成为他铺设情节、刻画人物、宣泄情感的绝佳手段,打破了读者的常规阅读习惯,使小说充满了魔幻怪诞的色彩,制造出了一个超验的感觉世界。
MO Yan has made great language achievements in Chinese contemporary literature,and he is an outstanding oriental representative of magic realism.As China’s first Nobel Prize winner,he not only presents dramatic fictional plots as well as hearty emotional talks,but also creates an unreal and strange world with a crazy novel language.Fatigues of Life and Death is a fantasy novel of magic realism where the deviation of metaphor is an excellent way of setting plots,describing characters and expressing emo-tions.It breaks the reader''s conventional reading habits,making the novel full of magic flavor by creating a transcendental word.

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针对村上春树的《海边的卡夫卡》一书,从艺术层面上分析村上小说独特的魔幻主义手法,分析了魔幻背后的现实内涵;以小说的现实性为切入点,分析了主人公在现实世界的各种遭遇,面对现实的无奈与叹息,放弃又从新拾起生命,并分析了其中隐喻的隐喻对人物命运的影响;揭示村上在作品中的魔幻与现实之间,展现作者想要勇敢面对现实,真爱生命的内心诉求。
Explored Murakami’s magic realistic novel Kafka on the Shore from the artistic aspect,analyzing the realistic implications behind the magic. Proceeding from the realistic nature of the novel,it discusses the protagonist’s all kinds of suf-ferings in the real world,his helplessness and hopelessness,as well as his giving up on life and regaining life,which reveals the writer’s inner appeal for facing the reality bravely and cherishing life through magic and reality. And explored the effect of the metaphors,paradoxes,on the fate of the characters.

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聊城青年作家范玮的先锋小说创作是一条行不由径、履险出格的实验之旅。他受阿根廷作家博尔赫斯"幻想文学"影响很大,致力于非现实梦境的营造、叙事迷宫的构建,小说魔幻色彩浓郁,充满了形式主义的游戏精神。范玮多方面借鉴了博尔赫斯的叙事技巧并有所创新,其呈现出断裂性和非逻辑性的文本给读者创造了解读文本的多元选择。范玮小说的主题是对现代人的精神境遇和生存困境的深刻揭示,折射出世界本身的开放性和丰富性。
The young Liaocheng writer Fanwei’s pioneer novels do not conform to the rules of the experiment. Argentine writer Gorge Borges "fantasy literature" have deep influence on Fanwei’s novels. He like building the unrealistic dreams and the narrative labyrinth in the novels construction. His novels full of rich fantasy color and formalism game spirit. Fanwei manifold learning the narrative skill from Borges and innovate It.His novels presents the fracture and the logic, giving the reader multiple choice to understand the text. The theme of Fanwei’s novel is reveals the spirit situation and the existence dilemma of modern people. It reflects the openness and richness of the world itself.

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加拿大籍作家杨·马特尔的英语小说《少年派的奇幻漂流》自问世以来好评如潮,获奖无数。小说所宣扬的信仰与求生主题鲜明生动,而主人公派最终能够战胜自然界的恐怖并成功地幸存下来,其根本原因在于他独特的宗教观。本文试图从魔幻现实主义的写作手法这一角度,在以下三个方面展开对主题思想的深度解析:主人公派神秘而独特的宗教观,充满奇思妙想的梦幻般的场景,荒诞离奇的寓言式叙事手法。
Since Life of Pi , a novel of a Canadian writer , Yang martel, was published , it has received great publicity and endless awards .What the novel extends are two vivid themes:religion and survival , furthermore , the unique religious perspective is the deep -rooted reason why the major role can conquer the horror of the nature and at length survive .The analysis is constructed very thoroughly in three aspects from the angle of magical realism , complete with the mysterious and unique religious perspective of the hero , the dream-like images filled with fancy ideas and the curious fabled narrative technique .

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小说的人物形象是艺术创作的核心，主要人物则鲜明地体现了小说创作的思想倾向性及其艺术魅力。《西游记》的主要人物孙悟空是一个充满魔幻色彩和浪漫情怀的神话英雄形象，它以儒家思想为根本，道家思想为内容，佛为形式，民间为生长滋养。长期以来，人们对于孙悟空这个艺术形象的研究有许多的争论，大多集中在其性格的反抗性和斗争性上，本文试图通过《西游记》的叙事结构和孙悟空的性格发展来探讨孙悟空性格中长期以来被人们所忽略的特征之孝和义，并由此概括出孙悟空形象的社会价值。
The character of a novel is the center of artistic creation .The main characters are vividly reflected the ideological tendency and artistic charm of novel creation .Sun Wukong,as the main character of Pilgrimage to the West ( Xi You Ji) ,is a mythic heroic image full of magical and romantic color .Pilgrimage to the West takes Confu-cianism as its base ,takes Taoist thoughts as its content and regards Buddha as its form .There are a lot of debates mostly concentrated on the study of the artistic image of Sun Wukong and his revolt and struggle .This paper at-tempts to explore the filial piety and righteousness in Sun WuKong‘s character been ignored through the narrative structure of Pilgrimage to the West and Sun WuKong ’ s character development ,thus presents the social value of Sun WuKong ’ s image .

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《布鲁斯特街的女人们》的命运反讽可以分为柳暗花明型命运反讽、一见钟情型命运反讽和好意误解型命运反讽。这些命运反讽都妙趣横生,具有逆期待性和隐含性。内洛尔笔下的梦幻充满荒诞,荒诞映衬着梦幻,并使梦幻与现实水乳交融。小说中使用了多转性象征、启示性象征和寄予性象征,讽刺社会阴暗面,赞颂人间真情,体现了作者对理想境界的追求。内洛尔在对命运反讽、荒诞梦幻和象征手法的创新和探索中导入魔幻现实主义元素,促进了美国黑人小说艺术特色的多元化。
The situational ironies in The Women of Brewster Place include the ironies of way -out sur-prise, love at the first sight, and well-meaning misunderstanding .These ironies are full of wit and hu-mor beyond expectation or literal meaning .The dreams depicted by Naylor are characterized by absurdi-ty, combined with reality in complete harmony .The symbols of multiple turns , enlightenment and empa-thy in Naylor ’ s novel satirize the seamy side of society or glorify the wonderful human relations to high-light the author ’ s pursuit of a perfect world .Naylor introduces some elements of magic realism to his o-riginal application of situational ironies , absurd dreams and symbolism in his work to facilitate the multi-plicity of the artistic features of Afro -American novels .

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在《顽皮家族》中,旅台马华小说家张贵兴以轻松戏谑的笔调书写南洋华人移民的欢乐传奇,其家族神话的寓意、魔幻写实的手法等,均构成了对权威历史论述的对抗叙事。小说通过传奇内容和叙事策略同时解构了华人移民及其南洋殖民者的刻板形象。《顽皮家族》中的南洋对于张贵兴来说便是他想象中的故国,也是他个人文化认同之根源。
In his The Naughty Family, Zhang Guixing, the Malaysian Chinese novelist in Taiwan tells the happy story of Chinese immigrants in Nanyang in a light and playful style. The work’s allegorical meaning of family legend and its magic realistic techniques constitute a counter narrative for the authoritative historical discourse. Through its legendary story and narrative strategy the novel deconstructs the stereotypes of both Chinese immigrants and their Nanyang colonizers. The Nanyang in this novel is Zhang’s imaginary homecountry, and the root of his cultural identity.

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《百年孤独》作为一部不朽的魔幻现实主义小说，内容曲折离奇，通过一个家族的兴衰历程，将哥伦比亚甚至整个拉丁美洲近百年的历史淋漓尽致的展现在读者面前。其作者加西亚·马尔克斯不仅具有丰富的想象力，同时也将宗教典故、地域风俗以及神话传说结合到作品中去，使得现实与虚幻相互融合。本文试图通过原型理论探索《百年孤独》中隐藏在“孤独”背后的一系列神话原型，进而阐释其原型体系所传达出的深刻内涵。
"One hundred years of solitude"as an immortal magic realism novel, the content is bizarre twists and turns, through the rise and fall of a family, to show the Columbia and even the history of nearly hundred years throughout Latin America, most incisive display in front of the reader. The author Garcia Marcks not only has rich imagination, but also religious allusions, local customs and legends with works, makes the integration of reality and illusion. This paper attempts to explore the prototype theory in"one hundred years of solitude", and then explain the profound connotation of the prototype system to convey.

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1993年的当代中国文坛,两位少数民族作家乌热尔图和扎西达娃分别以中篇小说《丛林幽幽》和长篇小说《骚动的香巴拉》作为小说绝唱。他们经由记忆危机的故事讲述,引领读者穿越创伤记忆的历史黑夜,从记忆贮存、生命魔变和目光见证三个维度,缓解疗治自身及其民族共同体因遗忘、创伤而带来的心理焦灼。记忆的故事与告别的小说意味深长地构成了一对悖论性的存在,为了纪念的小说告别已然有了相当的文化重量和文学史意义。乌热尔图和扎西达娃的记忆危机写作,没有采取一般见证文学惯用的暴露叙事和现实主义艺术原则,而是与同时代的寻根文学一起,以高度饱满的魔幻化、寓言化的方式展开,彰显少数民族文学独有的审美风情和想象方式,为民族历史、民族文化张目。他们在1993年的当代中国文学地形图上留下了深深的足迹和苍凉的背影。宿命般地,为了纪念的告别成了两位小说家决绝悲痛的写作姿态和象征仪式。
In Contemporary Chinese literature of the 1993,the two national minority writer Wureertu and Zhaxidawa re-spectively to the novellaTHE J UNGLE and the novelFAI NT STIR THE SHAMB HALA as the novelmasterpiece.Through their memory crisisfable,magical story,guides the reader through the memories of trauma history night,from memory,stor-age life magic and eye witness three dimensions,to alleviate the psychological anxiety treatment and its national community-caused by forgetting,trauma.The context of globalization increasingly blazing,In order to commemorate the novel goodbye al-ready have considerable cultural weight and significance in literary history.

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彼得堡诞生的蓄意性和目的性已经借一系列怪诞形象融入俄罗斯文学彼得堡文本的隐喻范畴之中。在彼得堡文本中,人被分裂成"我"与"他我"、"我"与"鼻子"等镜相。大凡非本质的"存在"在这里都获得了存在的主体性。彼得堡文本中的"鼻子"意味深长。果戈理以怪诞的艺术形式在其小说《鼻子》中表现了俄国现代社会人与自我的分裂,通过八等文官柯瓦廖夫"丢失鼻子——找寻鼻子——鼻子重现"的奇异经历,揭示出彼得堡的真实。作家希冀以这种魔幻的情节强调彼得堡的"异化"本质和幽灵性,凸显八等文官柯瓦廖夫所从属的那个社会阶层在精神上的缺陷,以及以理发师伊凡为代表的俄国社会普通民众对于威权的恐怖和厌恶。
The purposiveness of the birth of Petersburg has come into the metaphor of the Russian litera-ture’s Petersburg text with a series of weird images .In the literature in Petersburg ,people were divided into “I” and“alter ego” ,“me”and“nose” .The existence of any nonessential here has the existing subjec-tivity .The“nose” of the Petersburg text is meaningful .Gogol Performed the fragmentation of the self in the modern Russian society with weird art form in the novel .Through the singular experience of the Eight Civilian Kowaleov’s“losing the nose-looking for the nose-the reproduction of nose” ,the novel revealed the true nature of Petersburg’s society .The writer expected to emphasize the Petersburg ’s essence and spirit of “alienation”of the social stratum ,highlighting the defects in spirit of the Eight Civilian Kowa-leov’s subordinating and the Barber Ivan’s fear and disgust to the authoritarian .

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