“父亲”是余华小说中最重要的人物形象，其先锋时期作品中挖掘“弑父”的俄狄浦斯情结，塑造出颠覆传统观念的丑恶之父，到上世纪90年代创作转型后，重塑善良的温情之父，反映了从“弑父”到寻父的转变。余华作品中父亲形象的流变背后蕴藏着形式与哲学的双重超越。

Father is the most important image in YuHua’ s novels.YuHua dug out the Oedipus Complex in his novels.He por-trayed an ugly father image to overthrow the traditional ideas about the father .In the 1990s of last century, he has rebuilt a father with goodness and warmth.This has reflected the transformation from“Patricide” to“Seeking for father”.The transition of father images in YuHua’ s novels has contained the transcendence in both the forms and the philosophy of his writing.

《扶桑》中的克里斯形象还原了19世纪后半期美国白人社会对于第一代华人移民带有种族主义的＂集体白日梦＂。家庭环境、社会集体意识、民族文化都在他身上留下了明显的烙印。克里斯对扶桑的情感包含俄狄浦斯情结、东方主义迷恋以及骑士拯救幻想,同时他还受到了美国反华意识形态的影响。最终身为基督徒的他在不断的忏悔和反思中走向了成熟和理性。该形象重构了西方殖民文学中传统的白人男性角色,也表达了严歌苓希望东西方能摒弃偏见,以宽广的胸怀对待他国文化的愿景。

Chris,the hero in Fusang,revives the collective daydream which virtually reflects the racist attitude of the white American society towards the Chinese immigrants in the second half of 19th century.Family environment,social ideology,as well as European culture all leave their marks on him. His obsession with Fusang is mixed with his oedipal,orientalist longing and chivalrous fantasies of rescuing her.And he is also strongly influenced by the anti-Chinese hysteria that prevailed during that period. As a Christian,he becomes mentally rational and mature through constant confession and self-reflection.Thus, the traditional roles of white male characters in western colonial literature are reconstructed due to the characterization of Chris.By virtue of this,Yan expresses her hope that the East and the West need to get rid of the stereotypes and prejudices,and learn to treat different cultures with board mind.

弗洛伊德是精神分析心理学的创始人,他首次明确将现代心理学与文艺学相结合,把精神分析学应用于文学研究之中,拓宽并加深了文艺学的研究领域。其文论观点主要围绕作家创作的原始动机、文艺的起源和本质等问题展开,由此提出了俄狄浦斯情结、文艺是力比多的升华、作品是经作家改造的白日梦等著名论断。弗洛伊德的理论虽然具有一定的片面性,但他开拓了文学研究的崭新视域,对后世的文学创作和文艺批评都形成了广泛而深远的影响。

Freud was the founder of the psychoanalysis .He combined the modern psychology with the literature and art theory for the first time ,and applied the method of psychoanalysis in the literary studies ,so the research fields of literary theory have been broaden and deepen .His study of literature was mainly about the original motivation of writers ,and the origins and nature of literary ,therefore ,he put forward some famous arguments such as :the Oe-dipus complex ,art is the sublimation of libido ,and the work of writers is essentially their daydream .Although Freud''s theory had its ow n one -sidedness ,he opened up a new view for literary studies ,thus formed a broad and far-reaching impact on the later literature and literary criticism .

弗洛伊德是精神分析心理学的创始人，他首次明确将现代心理学与文艺学相结合，把精神分析学应用于文学研究之中，拓宽并加深了文艺学的研究领域。其文论观点主要围绕作家创作的原始动机、文艺的起源和本质等问题展开，由此提出了俄狄浦斯情结、文艺是力比多的升华、作品是经作家改造的白日梦等著名论断。弗洛伊德的理论虽然具有一定的片面性，但他开拓了文学研究的崭新视域，对后世的文学创作和文艺批评都形成了广泛而深远的影响。

Freud was the founder of the psychoanalysis .He combined the modern psychology with the literature and art theory for the first time ,and applied the method of psychoanalysis in the literary studies ,so the research fields of literary theory have been broaden and deepen .His study of literature was mainly about the original motivation of writers ,and the origins and nature of literary ,therefore ,he put forward some famous arguments such as:the Oe-dipus complex ,art is the sublimation of libido ,and the work of writers is essentially their daydream .Although Freud''s theory had its own one-sidedness ,he opened up a new view for literary studies ,thus formed a broad and far-reaching impact on the later literature and literary criticism .