多丽斯·莱辛的《饥饿》收录在她的《五部短篇小说》中，发表于1953年，是她后殖民主义小说中很具代表性的一部。此论文分成三个部分。第一部分解释了为什么《饥饿》是一部后殖民主义短篇小说；第二部分通过介绍后殖民主义的总的观点并具体介绍萨义德和巴巴的后殖民理论提出了此论文研究的理论基本原理；第三部分运用了后殖民理论分析文本，主要关注了莱辛的叙事策略和牙巴乌的身份探寻。

Doris Lessing’s Hunger, from Five Short Novels, published in 1953, is a very good representation of her post-colonial writings. This paper is divided into three parts. The first part presents an explanation of why Hunger is a post-colonial short nov-el. The second part briefly presents the rationale of post-colonial theory, introducing Said ’s and Bhabha’s theories. Lastly, the third part contemplates textual analysis with the post-colonial theory concerning Lessing ’s narrative strategy and her protagonist Jabavu’s quest for identity.

后殖民主义批评通过对西方文化霸权的解构，及其独掌话语权的文化政治态势进行批判，将文学研究的视域带领到了一个崭新阶段。，本文试图通过后殖民主义视角来解读尤金·奥尼尔的《琼斯皇》。主要围绕后殖民主义理论中的身份认同，“自我”、“他者”，和法侬的反殖民策略三个要素来重点讨论琼斯皇兼具殖民者和受殖者双重身份的建构过程。

Post-colonialism criticizes through the deconstruction of western culture hegemony, and its dominant discourse of cultural pol-itics, lead the vision of literary studies into a new stage. This paper attempts to interpret Eugene O ''Neill''s"The Emperor Jones", through the post-colonial perspective, mainly around after theory of identity,"self"and"the other", and Fanon''s three elements of anti-colonial strategy to focus on the construction process of Empire Jones'' double identity as both the colonist and the colonized.

《黑暗之心》是康拉德根据自己1890年刚果之行创作的一部中篇小说。在赛义德的"东方主义"理论考察下,该小说透露出后殖民主义意识。通过文本分析,不难发现"东方主义"的"他者"形象在被中心话语重新编织中受到了"认知暴力"的挤压,"他国国籍"遭受文本的"意识形态侵害"。将《黑暗之心》置于后殖民主义理论框架内,围绕"东方主义"、"他者"身份,彰显小说矛盾话语下的反抗意识的并立体现,以期缓解"非我族类"禁锢下的"东方"危机,真实展现后殖民语境中的"东方"地位,为"臣属"文化重新"命名"。

Based on Joseph Conrad''s own experience of 1980''s trips in Congo, the novella Heart of Darkness shows sort of post-colonial ideology under the guideline of Said''s “Orientalism” theory. By text analysis, the“other” image of “Orientalism” has been distorted within center discourses'' intentional rewriting. “Thin States”has suffered textual ideological distortion. The article sets Heart of Darkness in the frame of post-colonialism. Through the analysis of “Orientalism” and “other” image, anti-colonialism in the contradictory discourses has been presented. The article aims to ease the “racial exclusion” confined Oriental crisis. After the Oriental position has been correctly placed, the subject culture needs to be renamed.

布莱克的《黑人小男孩》中叙述者小男孩的错误身份认同与种族奴隶制度的兴盛有密切关系，20世纪兴起的后殖民主义的种族主义理论和身份认同问题恰好切合《黑人小男孩》的主题，文中运用此理论对黑人小男孩进行身份分析。

In William Blake’s The Little Black Boy , the narrator has a false identity recognition, which is closely related to the rise of racial slavery. In 20th century, the rise of post-colonial theory of racism and identity fits nicely into the theme of The Little Black Boy, which is used to analyze the identity of the little black boy.

在数字化时代借用新叙事学“视窗”概念,将文学理论与文学批评实践结合起来,能够开启文学研究及其意义阐发的多元之窗。借助叙事学、读者反应批评、新历史主义、后殖民主义和解构论等理论方法,可以对人们习以为常的莎士比亚《暴风雨》等外国文学经典作家作品作出新的诠释。当代西方文论丰富多彩的理论话语烛照,能够矫正当前文化研究转向后忽视文学本体的理论偏颇,践行文化语境与文学文本研究辩证互动的文化诗学,提升我们对人类精神结晶——文化与文学的价值判断与审美体悟。

It would open the multiple windows for researching literature and elucidating its significance by employing the concept “windows” of new narratologies, blended literary theory and its critical practice, in the digital era. With the help of the approaches of the narratology, reader response criticism, new historicism, post colonialism and deconstruction theory, one can make new annotation to the accustomed foreign writers and literary classics such as Shakespeare’s Tempest. In the highlight of the rich and varied theoretical discourse of contemporary Western literary theory, there are the possibilities to correct the biases which overlooked literary ontology after the turn of current cultural study, to practice the cultural poetics which deals with dialectical interaction between cultural context and literary text, and to enhance one’s understanding the fruits of human spirit-the values of culture and literature, as well as the aesthetic experience.