高艳是一位不拘格套、富于创新的东北边地作家。早年经验与精神成长塑就了作者游牧型的生命人格，她的散文是个人缺失经验的一种艺术生成。在散文意境与意象的营构方面，高艳以“回忆”与“联想”作为建构手段，依托寻常物象建立起了文本的游牧空间与表意体系。同时，她还把笔触伸向东北边地历史，为烈女英魂树碑立传。高艳凭借创作的清新与丰盈在当代散文界独树一帜。

Gao Yan is an innovative frontier writer in Northeast China. Early experience and spiritual growth had shaped her nomadic personality, and her prose is a kind of art form about the lack of personal experience. In the construction of artistic conceptions and images, Gao Yan adopted the means of "reminiscence" and "association" and chose ordinary objects for the establishment of nomadic literary space and ideographic system. At the same time, she described the his-tory of the Northeast frontier, erecting monuments and writing biographies for the heroines and heroes. Gao Yan''s fresh and plump prose is becoming a unique existence in contemporary literature.

孤独是一种心理意识,是一种圆融的状态。真正的孤独者是高贵的,孤独者都是思想者。作家鲁迅就是这样一位高贵的思想者,他《野草》中的《好的故事》是一篇孤独绝望意识浓厚的散文诗,其由现实、回忆、梦境三个部分组合而成。通过深入解读散文中的生命哲学命题,以作者思维的内在逻辑为突破口,从时间上"现在的我"的孤独和空间上"现实的我"的孤独两个方面来全面解读当中所呈现出来的孤独意识。

Loneliness is a psychological sense, which is a state of harmony. Real loner is noble, while all of loners are thinkers. Lu Xun is such a noble thinker, whose“Good Story” in his Weeds is a prose with a strong sense of despair loneliness, which consists of the reality, memories and dreams. Through in-depth interpretation of the life of the philosophical proposition to the inherent logic of thinking as a breakthrough, this paper tries to analyze the sense of loneliness from two aspects, the time of the current loneliness and the space of the real loneliness.