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双语推荐:在城崎

志贺直哉的短篇小说《在城崎》自发表以来,关于其心境小说的特质、生死观以及人道主义色彩的研究比比皆是。实际上小说这些特征得以实现都离不开一个重要却容易被大家忽略的角色,即整篇小说的叙述者。立足于小说中的叙述性语言,通过文本分析,揭示《在城崎》中叙述者的作用。
Since the short novel"Kinosaki Nite"by Shiga Naoya was published, there are a lot of studies on the characteristics of mood novels, view on life and death and humanism. Actually the realization of such characteristics can not be isolated from a role which is easily ignored, that is the narrator of the entire novel. This Paper, based on the narrative languages in the novel, tries to explore the role of narrator in"Kinosaki Nite".

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日本人非常关心人的生死这一问题。日本作家常在文学作品中表现生死无常和人生无常这一主题。志贺直哉是雄踞日本大正文坛之首的著名作家之一,他不仅是白桦派的杰出代表,也是"心境小说"的泰斗。并且被日本人称为"小说之神"。其小说大都与他本人的生活经历有着直接的关系。《在城崎》是志贺直哉享誉日本文坛的"心境小说"之代表作。这篇文章深刻地反映了志贺直哉生死观的变化过程。
The Japanese are very concerned about the issue of human life and death. Japanese writers often express the theme of life and death, impermanence and impermanence of life in the literature. Shiga Naoya is one of the famous writers in the Japanese literature altar, he is the outstanding representative of the Shirakaba and "state of mind novel". And he is referred to as "the god of the novel by the Japanese . His novels have a direct relationship with his own life experience mostly. In Kinosa ki is a masterpiece of the Japanese literary mood novel, which reflects the change of Shiga Naoya conception of death.

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