学界对韩孟诗派诗歌创作特色的研究，都主要从诗派成员的创作心理层面探究其奇崛怪异的美学追求，对其诗歌创作的构思特色则少有专论。韩孟诗派诗歌创作以矫激的情绪对抗艰难的生存状况，诗歌构思险怪奇崛，主要表现在三个方面：其一是在立意构思上有意追求奇特超常、曲折多变，其二是在句式上有意追求构辞的散文化，其三是在用辞上有意追求造语生新、奇崛险怪的效果。

Academic studies on creative characteristics of Han Yu and Meng Jiao poetry were mostly from poets’creative psychology, exploring the pursuit of aesthetics of the peculiar and the weird, but rarely on the ideas and conceptive features of their poems. Han & Meng poetry’s creation used changing and powful stress of feeling against the tough living conditions. The odd and strange poetry style is mainly presented in the following three aspects: first, it intended to pursue in the lyrical concept of strange paranormal, meandering;Second, it intended to pursue at the sentence structure-speech prose;Third, it intended to pursue the creation of new words and the peculiar and dangerous effects on the terminology.

吴中蕃本着对乡土之热爱,写下众多黔中山水诗。其对黔中山水有着自己独特之理解,有着地域特色艺术表现之自觉。其山水情结源于天性之＂痴顽＂＂,山水之助＂之思想及退隐生活之阅历。由于地域环境影响,其诗呈现出特有之雄浑美、幽深美、奇崛美。其艺术笔法注重工笔与写意之结合,注重移情与理趣之结合,然过分质实而少浑融,得奇句而未得奇境。

Wu Zhongfan wrote a lot of landscape poetry in Guizhou with his divine native love. It is unique understanding of the scenery of Guizhou, so the poem is in the art has geographical features to aware of self the nature. Its landscape complex stems from the thought and experience of retired life that the nature of the sensitivity, the aboriginal spirit of scenery with hills and waters. Due to the geographical environment, its poetry exhibit individually to the vigorous aesthetic, the style with deep and serene, the beauty of distinctly rugged and peculiar. Artistic techniques focus on the combination of handwriting style and freehand brushwork, to pay attention on the combined with empathy and principle and interest. However, it is so more steady and honest atmosphere that less creative imagination of the poetry,therefore the landscape poetry just get to the wonderful sentence without wonderland.

由于鲍照特殊的身世经历和他对魏晋赋的继承接受,鲍照赋的思想情感基本围绕宣泄悲情而展开,既包含苍壮急怨、清拔阔大的情感特质,又显得奇崛伟丽、藻艳精工、倾炫心魄,表现出辞、情的高度统一,在辞赋创作由魏晋向南朝的过渡中呈现了一种独特的面貌。

Because of Bao Zhao’s special life experience and his inheritance of Fu in Wei and Jin Dynasties ,the theme of his Fu’s is basical-ly around releasing the pathos ,which contains both the bleak and anxious emotions with ambitious but unachievable aims ,as well as the subli-mated ,gorgeous and affecting writing style ,showing a high degree of combination of rhetoric and emotion then demonstrating a unique look in the transition of Fu’s creation from Wei and Jin Dynasties to the Southern Dynasties .

韩愈是唐代文化学术史上承前启后、转旧为新的关键人物,其诗文对宋诗、宋词都产生了重要影响。他以奇崛险怪称名于中唐诗坛,但其对宋词产生最大影响的诗歌,却以细婉轻柔、冲淡自然、率意真切的作品为主。与之相类,韩文中的临山摹水篇章、赠序类散文中的写景咏物部分、韩集中的笔墨游戏、戏谑诙谐之作以及韩文中凝练出来的成语习语等,都成为宋词着力取法的对象。从具体词人来看,王安石、苏轼、辛弃疾、刘克庄等受韩愈影响最大。

Han Yu was a key figure who served as a link between past and future in the cultural and academic history of Tang Dynasty. His poetry and prose had a significant impact on Song poetry and Songci. He won his great grotesque fame in the Mid Tang Dynasty, while had the biggest influence on Songci with gentle calm natural and smooth prose and poetry. His prose works descripting landscapes and banters with idioms and allusions all affected Songci greatly. Wang Anshi, Su Shi, Xin Qiji, Liu Kezhuang etc. got the greatest influence of Han Yu’s prose from the perspective of writers.