徽州园林常被形容为中国乡土园林景观的杰作,区别于徽派建筑直观的外形,植物造景却以抽象、隐晦的方式反映徽州地域特征、诉说徽州历史文脉。造景手法多体现“师法自然”的特点,以“天人合一”为主导思想,以徽文化内涵为基本内容,又受到地理山水条件的制约。通过查阅古徽州地区典型古村落中植物配置与造景的文献资料,结合徽州地区自然与历史文化,以宏村为例,从宏村的公共园林与私园两个角度探究植物造景的地域特征与人文气质。试图从地域特色和人文气息的角度来理解徽州古村落树种选择、造景手法以及植物配置方式等内容,而这个讨论主题的确定来源于笔者自身的学习经历以及相关的思考,希望可以为园林景观设计实践中树种选择、植物造景带来一些启发。
Huizhou garden is often described as the Chinese vernacular landscape masterpiece, is different from the visual appearance of Huizhou architecture, landscape plants is to abstract, obscure reflect Huizhou regional characteristics, tel ing the Huizhou historical context. The characteristics of landscape reflected"imitate the nature", "harmony" as the main ideology, the Hui culture connotation as the basic content, but also restricted by geographical landscape conditions. By checking the typical ancient vil age access to the ancient Huizhou area fal s landscape plants in the literature, combined with the natural and the history and culture of Huizhou area, taking Hongcun as an example, the regional characteristics and cultural qualities of plant landscape from two angles of public garden and private garden in Hongcun. Try to understand the content of Huizhou ancient vil age landscaping and tree species selection, plant configuration from the geographical characteristics and cultural qual