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双语推荐：审美实现

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再度创作和审美实现对竹笛艺术具有深刻的意义,竹笛艺术家的再度创作能力是审美实现的重要保证因素。竹笛艺术的再度创作是一种创造美的过程,是实现审美价值的必经途径,只有当一度创作的乐谱进入到再度创作阶段,竹笛艺术的审美功能才得以酣畅淋漓地发挥。文章针对竹笛艺术的再度创作、再度创作的基础,以及再度创作的提高和审美实现等问题进行了深入的研究和论述。
Recreation and aesthetic realization are of profound significance to bamboo flute art and the ability of bamboo flute artist to recreate ensures its aesthetic realization. The recreation of bamboo flute art is a process of cre-ating beauty and a necessary way to realize aesthetic values. Only when the first creation of music moves into rec-reation mode,can the aesthetic features of the art of bamboo flute be able to blow out to play. This paper aims at an in-depth study and discussion on the recreation of bamboo flute art and its basis,the enhancement of recreation and aesthetic realization.

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审美惊奇的实现有多种方式，心理过程也比较复杂，但一般而言，审美惊奇有三种常见的实现方式：一见而惊；不惊奇→惊奇；惊奇→不惊奇→惊奇。论文只是通过对三种常见方式的分析，使我们得以窥见审美惊奇产生时一般的心理历程。
There are many aesthetic ways to achieve surprise,and each has its complicated psychological process.In this paper we identify three general ones:surprise at first sight;no surprise at first,then surprise;surprise at first,then no surprise,and at last surprise again.By analysis of the three common ways,we will have some insight of their general psychological processes through which the aesthetic surprise arises.

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作为消费社会中正在发生的日常生活审美化转向的两种理论表征,身体美学与日常生活美学在极大程度上存在着互为启发、相互印证的会通关系。大众对自我身体从内到外的修饰和改造,使得身体审美因此而成为日常生活审美化最为浅显直观的具象化表现。身体的审美经验与日常生活经验的有效弥合,有助于从根本上提升大众生活品质的审美内涵。作为日常生活审美化的目标导向和终极旨归,伦理生活审美化的实现,可有效促成个体与社会的双重实现和双重完善。
As two theoretical expressions to the turning of aestheticization of everyday life, there are interactive and enlightening largely between Somaesthetics and Aesthetics of everyday life. The masses dress up and reform the body from outside to inside, thus making the body aesthetic become the plain and intuitive performance of aestheticization of everyday life. The integration between body’s aesthetics experience and experience of everyday life could help improve the masses’ life quality and aesthetic connotation radically. As the goal orientation and fundamental aim of aestheticization of everyday life, aestheticization of ethical life can efficiently. promote individual and society’s dual development and perfection.

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深层审美心理对于人类的艺术欣赏活动具有决定性作用。在长期的社会实践过程中生成和发展起来的人类的审美无意识，审美潜意识使得人们在艺术欣赏中能够充分地利用审美无意识和审美潜意识之中的?前见?，达到?视界融合?，构成?召唤结构?，从而更加有效地实现艺术欣赏的主体性和创造性。
The deep-going aesthetic psychology is of the decisive role about human art appreciation. Aesthetic unconsciousness and aesthetic subconsciousness that form in the course of long-term social practice cause human in art appreciation making full use of “pre-view” in aesthetic unconsciousness and aesthetic subconsciousness, and attaining“horizon fuse”, and constitute“calling structure”, and then achieving subject property and creative property of art appreciation more effectively.

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数字媒体创意是贯彻战略思想、实现传播目的可执行的具有科学性、艺术性、文化性的策略或方法。数字媒体创意在对传统媒体创意继承与超越的基础上,具有以下几个显著的审美特征:审美对象的分众化、审美风格的简略化、审美体验的互动化、审美样式的娱乐化、审美表现的视听化、审美效果的品牌化,它们对数字媒体的发展方向有着深刻的影响。
Digital media creations are solutions or means for implementing strategic thinking and specific goal of propagation w hich is scientific , artistic , cultural , and applicable . While inheriting and transcending originality from traditional media , digital media represents aesthetic tactics providing demassification in objects , minimization in style , interactivity in experience , entertainment in form , visual/audio stimulation in performance , and branding in effect , w hich will have far-reaching influence on the future trend of digital media .

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审美教育是音乐教育与其它教育相区别的独特之处。审美教育将音乐艺术当做其的载体，通过在音乐教学中培养幼儿的音乐审美能力，进而展现音乐艺术的极大魅力，实现音乐教育启发智慧、陶冶情操的教学目标。因此，音乐审美能力的培养非常重要，本文笔者结合多年的幼儿音乐教育工作浅谈几点培养幼儿音乐审美能力的方法。
The aesthetic education is the unique distinguish with music education and other education. The aesthetic education takes music art as the carrier, through the cultivation of music aesthetic ability of children, and show great music artistic charm, realize the teaching goal of music education to inspire wisdom, edify sentiment. Therefore, it is very important to cultivate the ability of music appreciation, the author unifies many years of music education of preschool some to talk about the methods of cultivating children''s ability of aesthetic appreciation of music.

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本文通过对“度”的阐释和审美生态学理论、实践合理性理论的借鉴，提出只有在音乐审美活动的全过程中把握实践的“合理性”，努力实现主客体潜能结构在审美场中的自由对应，才能真正对音乐作品进行有效评价，并提出了音乐审美活动的价值、目的和工具合理性表达的机制。
Based on the“degree” of the interpretation , aesthetic ecology theory and the theory of practice rationali-ty ,the article states that only when we grasp the “rationality” of practice and strive to achieve free correspondence of potential structure of subjective and objective bodies in the aesthetic field during the entire process of music aes -thetic activities can music be evaluated effectively , and it also indicates the value , purpose and expression mecha-nism of tool rationality of music aesthetic activities .

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当代公共艺术作为文化传播的重要载体,通过新材料和新科技的运用,使其在审美上产生了更强烈的观感效果,将环境空间与视觉空间更好地融合为一体。它要求公共艺术家在艺术表现形式上应具备多样化的美学创新意识,在创作风格上具备多样性的美学表现力,在艺术创作过程中具备审美的全局观。当代公共艺术应通过优秀的作品实现艺术作品的审美性和实用性的结合,实现观者、空间与艺术作品的审美互动,以艺术美化生活并促进社会文化发展
Contemporary public art is an important part of the future of art,as an important carrier of cultural transmission through new materials and new technology in the using the aesthetic effect of an aesthetic perception for a more intense effect,the environmental space and better integration of visual space.This requires that public artists in diverse artistic forms of expression should have aesthetic sense of innovation with a variety of aesthetic expression and aesthetic appreciation of the artistic process in view of the global creative style.We aim to combine aesthetic with practicality to achieve aesthetic interactive viewer,space and works of art through outstanding works of art to promote the development of the field of aesthetics.Beautifying life through art and promoting social and cultural de-velopment.In this paper,in terms of five aspects of contemporary public art in the development of new ideas and aesthetics were analyzed and studied.

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从艺术审美的角度,阐述了艺术审美与城市文化之间的内在关联,分析了审美艺术介入到城市文化空间的必要性,提出了城市文化形象设计的思维范式,旨在形成一种健康、清新、高雅的城市艺术氛围,实现城市的持续、健康发展。
From the aesthetic angle, the relation between art and city culture is elaborated. The necessity of aesthetic art’s integration into the city cultural space is analyzed. The thinking paradigm of the city cultural image design is put forward in order to form a healthy, fresh, elegant artistic atmosphere of the city and to sustain the healthy development of the city.

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在审美文化领域，审美趣味作为一种隐性的“区隔”力量，形成文化资本占有者对其他阶层审美活动的软性控制和引导，这与通过对审美资源的硬性占有而呈现出显性支配力的审美权力形成对应关系。在审美权力到审美趣味领域的延伸过程中，呈现了一种由硬到软、由显性到隐性的向度；另一方面，审美趣味的层级结构又反哺并巩固已有的审美权力结构，两者形成一种相互指向对方的双向建构关系。在这种关系形态下，需要结合时代语境反思当下社会文化中的权力颠覆与趣味博弈，从中趋利避害，实现社会审美文化的和谐健康发展。
In the field of aesthetic culture ,aesthetic taste ,as a power of hidden distinction ,becomes a way of soft control and guidance which the cultural capital owners composed on the other social stratum .On the other hand ,aesthetic power is formed by the dominant control over the aesthetic resources .There is a dimension from hard to soft ,from dominant to hidden ,in the process of aesthetic power extending to the field of taste .On the other hand ,the hierarchical structure of aesthetic taste nurtures and consolidates the existing aesthetic power structure .Aesthetic taste and aesthetic power form a bi‐directional and constructive relationship that point to each other .Therefore ,how to achieve the sound development of social aesthetic culture in this relationship is worthy of concern .

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