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双语推荐：放逐

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在《最蓝的眼睛》中托妮·莫里森刻画了三类黑人男性形象，即极力模仿白人的黑人男性；心理、人格极度扭曲的黑人男性；逃避现实来自我放逐的黑人男性。通过在文化冲击背景下他们不同的命运，莫里森意在提出：在白人文化之上的社会氛围中，非裔美国人要勇于接受、弘扬本民族的文化传统，如果黑人民族一味的盲从所谓的主流白人文化，摒弃自己的文化传统，那么最终的结果只能是非裔美国人在自我放逐中迷失，垮掉从而消亡。
In"the bluest eye", Toni Morrison describes three kinds of black male characters, namely, to imitate the white black males;psychological, personality extremely distorted black males;escape from exile black men. Through their different fate under the culture shock context, Morrison intends to put forward:in the white culture on the social atmosphere, African Americans to have the courage to accept, to carry forward the national culture tradition, if black people blindly following the mainstream white culture, abandon their own cultural traditions, it can only end in non Americans lost in self exile, beat to death.

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"疯"不单单是作为一种生理缺陷在人身存在的,在文学作品中,它更多的是作为一种影射出现的。在文学作品中人物的疯狂往往影射的是社会秩序的混乱和不可理喻。"自我放逐"这一疯癫行为影射的就是社会的荒诞。
"Madness" not only exists as a physical defect in personal, but as a kind of insinuation appears in literary works. Often the madness of the characters in the literary works allude social disorder and unreasonable. "Self-imposed exile" insinuates social absurd.

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严歌苓小说蕴含着浓厚的悲剧感，这种悲剧感与她的苦难书写密切相关。她笔下大量的苦难书写是构成其作品厚重深刻特点的重要因素。其苦难书写的内容可以归纳为放逐之苦、离乱之苦、生存之苦和压迫之苦，从这四个方面展开分析，解读严歌苓对人类苦难处境的深切关怀。
Yan Ge-ling''s novel contains a strong tragic sense , which is closely related with her writing style of hu-man suffering.A lot of suffering narration is an important part and profound features of her works .This paper main-ly discusses the suffering narration of Yan Ge-ling from four aspects, i.e.exile, segregation, oppression and strug-gle of survival , to interpret her deeply concern for the plight of human .

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作为独立从事培养人才和传承知识的学术共同体,大学本身即为一德性组织。然而,中国今日之大学已蜕化为一商业和官僚机构,权力、地位和金钱代替学术成为机构的核心价值追求,德性的迷失使大学陷入深深的危机之中。究其根源,既有大学与外部政府和社会关系的错位,又有大学内部行政权力与学术权力的失衡,是外在压力挟迫和自我放逐的结果。
As an independent academic community engaged in training,discovery and inheriting the knowledge,the uni-versity itself is a virtue organization.However,today''s universities in China have been degenerated into organizations of business and bureaucracy,and power,status and money have become the core value of pursuit instead of the academic in-stitutions.The university is in deep crisis with the disorientation of the virtue.Investigating its root,both the dislocated relation between university,government and society,and the imbalance of the interior university administrative power and the academic power are a result of the external pressure and the result of self-imposed exile.

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细读徐迟三十年代至五十年代的诗歌，审视徐迟不同阶段诗歌存在着“三十年代，追慕现代派诗歌的意象技法”、“四十年代，被放逐了抒情的诗歌成为时代的号角”、“五十年代，唱着颂歌的诗歌成为为政治服务的工具”的差异性，与此同时，徐迟不同时期的诗作又葆有着“幻想”、“用诗意的心灵眷恋着故土”的共通性，原因在于徐迟始终将个人的创作和祖国的前途命运、时代的脉搏紧密相连。
After a careful reading of Xu Chi''s poetry from 1930s to 1950s,the writer reviewed the differences of his poetry at different stages:in 1930s,the theme was to pursue the images and techniques of modernist poetry;in 1940s,the exiled lyric poetry became the horn of the times;in 1950s,the poetry with odes became a political tool.Meanwhile,there are commonness maintained in his poetry of different periods,that is,"fantasy", and "sentimental attachment to the homeland with a poetic heart". The reason of the commonness is that Xu Chi always closely bound his personal creation with the future and destiny of our motherland and the pulse of the times.

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20世纪30、40年代之交,徐迟于香港写作和发表了不少与战争有关的诗歌和诗论作品。这些诗歌反映出唯美主义的底色,取得了较高的艺术成就。他的诗论提出要放逐抒情,将诗歌当作宣传的工具,以表现时代为自身的道德。在他的诗歌创作与理论宣扬二者之间存在艺术与政治的矛盾。为了摆脱这一矛盾,安放好诗人的"自我",他追求思想进步,但却给此后作品的诗意带来了损害。
At the turn of 1930s and 1940s , Xu Chi wrote and published many war -related works of poetry and poetics in Hong Kong . These poems reflect the aesthetic background , and achieved high artistic achievement . His lyrical poetics proposed to exile the lyric and regard the poem as a propaganda tool to show the times for their own morals . In his poetry writing and poetic theory there exist contradiction between art and politics . In order to get rid of this contradiction and put his poet self at a good place , he pursued progressive thinking , but this brought damage to the poetic sentiment in his poetic works .

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解放被理性压制和放逐的情感是劳伦斯作品的一个重要主题。徘徊于传统与现代之间的劳伦斯尝试建构以生命本体为核心的新宗教来唤醒肉体,建立和谐的两性关系,开启重生之门。但在其前期作品中,他的新神——"健康的两性关系"一直是以缺席者的身份存在。在接触印第安人宗教特别是阿兹特克宗教后,劳伦斯才找到他的"黑暗之神",完善对"血肉信仰"的建构,并藉此最终解放情感,获得新生。
Releasing emotion from the imprisonment of reason has always been a major theme of the works of D . H . Lawrence who , on the threshold of modernism , attempted to found a new religion with life noumenon as its central core to open the door of resurrection by restoring life to human body and establishing a harmonious man -woman relationship . However , in Lawrence''s early works , the healthy man-woman relationship is largely absent . After his encounter with the primitive religion of the Red Indians of Mexico , Lawrence finally and truly found his Dark God which he had long pursued and added it to his religion of blood and flesh , thus to free emotion and realize resurrection .

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非裔美国人的历史被白人主流社会放逐到了边缘，历史书写沦为了权力运作的产物，过去因话语权而被肢解放入到所谓的历史架构中。通过探讨托尼·莫里森的《宠儿》中被释放的他者之声以及莫尼森聚焦奴隶生活的微观场面，进一步了解莫里森以多个人物叙述故事的形式竭力重新书写的美国奴隶制时期以及战后重建时期的历史，从而更加关注非裔美国人在民族身份的探寻道路上所做的努力。
The Afro-American history has been driven to the margin by the dominating white society. History has become the production of power and the past, under the pressure of discursive power, has been disassembled into parts and put into the so-called right places respectively on historical road. By analyzing the released voice of“the Other”and the concentration on micro perspective in Toni Morrison’s Beloved, the history of slavery period and the reconstruction era is better and more clearly present-ed under Morrison’s multiple narratives and thus giving us a chance to pay close attention to the efforts made by Afro-Ameri-cans on their road of seeking national identity.

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东西《原始坑洞》摆脱了既定的美学范式和语言秩序,虽然篇幅不长但却于短小中见张力,简赅处寓精辟,呈现出多元化的解读张力,他的文字以冷静而残酷的叙事策略完美地再现了俄狄浦斯情结的神髓、解构了"家国同构"的文化权威与禁忌、在自我放逐与命运抉择的面前选择了人性之善,并在极具反讽的文字中以不动声色的笔触表现出生命消逝与生命延续的历史命题。
Dong Xi discards the traditional aesthetic paradigm and verbal order in his novel Original Hole.It′s a short story, but shows huge tension and contains insightful content.This paper analyses the Oedipus complex contained in the novel from the point of view of psychoanalysis.Then,it discusses the deconstruction of the same structure between the family and the country from binary opposition.At last,the paper reviews the goodness of human nature the protagonist shows when facing the choice be-tween escape and death from the view of existentialism.

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春秋时期，经历着礼崩乐坏，然而不能忽视的是当时贵族们在这一时期建立新秩序的努力。在这一维新政治发展过程中，礼、仪分立扮演着重要角色。通过对礼与仪的分辨，仪式化的政治行为由于较低的政治效用而被贵族们放逐到政治之外，对礼则进行了改造，贵族们或仰仗武力，或抽绎传统文化，加强了礼的政治效用。可以说，春秋时期的维新政治是伴随着礼仪分立而进行的。这种分立无疑表明了春秋时期贵族社会认识方式的变化，甚至可以说认识方式的变化是这一时期维新政治更为核心的内容。
In the Spring and Autumn Period, etiquette collapsed. However, we can not ignore the work that the nobles did to establish the new order. In the reform of politics,“separation of etiquette and ceremony”played an im-portant role. By“separation of etiquette and ceremony”, the nobles exiled ceremony out of politics and modified cere-mony. The nobles strengthened the political utility of etiquette either by force or traditional culture. It is safe to say that reform of politics in the Spring and Autumn Period was based on the“separation of etiquette and ceremony”, which changed the nobles’ way of understanding the society. And it can even be said the change of the nobles’ way of un-derstanding the society is the core of reform of politics in the Spring and Autumn Period.

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