兰州太平歌是兰州太平鼓表演中重要的组成部分,在春节民俗活动中,这种以地方方言演唱、用太平鼓、锣钹等最原始的民族器乐为伴奏的原生态演唱方式,与太平鼓舞形成一文一武,亦庄亦谐,相得益彰。由于兰州太平歌的濒危性,对太平歌的音乐形式与曲调特点以及它的表现场域等进行研究,显得尤为重要。作为一个时期的特殊民俗文化现象,探寻兰州太平歌在春节民俗活动中的文化价值仍具有重要的现实意义。

Lanzhou Peace Song is the most important part of Lanzhou Peace Drum performance .It is a way of original ecological singing accompanied with the most primitive folk instruments like Peace Drum ,gongs and cymbals performed in the form of local folk activities during Spring Festival .To-gether with Peace Drum ,it brings about a combined effect of pens and swords with solemnity and hu-mor .It is vital to conduct research on the music forms and melody features of Lanzhou Peace Song for it is facing extinction .As a special phenomenon of folk culture in a unique period ,it is still of great significance to explore the cultural values of Lanzhou Peace Song in folk activities during Spring Festi-val .

敦煌所见五套大曲中与戏剧相关者共有四套。从内容看，四套曲辞中均有简单故事的推演，虽然情节较为简单，但故事主题明确，《阿曹婆辞》和《何满子辞》中有明显的代言叙事；从形式来看，四套曲辞均为用于歌舞表演的唱词，《剑器辞》和《苏莫遮五台山曲子》在演唱过程中具有相应的既定调式，并配有伴唱的舞蹈。这四套大曲通过歌舞的形式，借助不同调式的唱词叙述简单的故事，已经具备了歌舞戏的基本要素，应该属于唐代早期歌舞戏表演时的剧曲。

There are four sets of Quci related to drama in the five sets of Dunhuang divertimentos .From the content viewpoint , there is a simple story-telling in these four sets of Quci .Though the plots are simple , the themes of the stories are clear , and the first-person narrative is used apparently in two of these Quci .From the form point of view , these four sets of Quci are all lyrics for singing and dancing .Another two of these Quci have established the appropriate tunes during the performance with the accompanied dances .In the form of song and dance ,all these four sets of Quci have already had the basic elements of dance drama with different tune lyrics telling simple stories .And all these Quci should be considered as the dance drama song in early Tang dynasty .

20世纪60年代以来,泰国出现了一种称作"法政优戏"的特殊的表演形式,它中泰合璧,用泰文来演唱中国戏曲,剧目以《三国演义》的故事为主,用中国的故事影射泰国当代的政治事件,模仿戏讽、针砭时弊。这种表演以其狂欢化的特征和颠覆性的特质受到人们的热烈欢迎。作为中泰文化交流的产物,法政优戏在泰国数次重要的政治事件中都发挥了作用,因此也被泰国人称作"卫国优戏"。

From 1 960s on,a kind of special performance which was called Ngiu Thanmmasat appeared in Thailand,it was a combination of Chinese and Thai style,which performed Chinese opera in Thai language,and mostly played the Chi-nese literature The Romance ofthe Three Kingdoms,which was used to allude to Thai contemporary political events,imita-ted,satirized and commented on politics.This kind of performance was warmly welcomed by the Thai people for its carnival aesthetic features and disruptive traits.As a product of cultural communication between China and Thailand,Ngiu Tham-masat joined in several important political events in Thailand,therefore,was called Patriotic Ngiu Performance by some Thai people.