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双语推荐：皈依

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张洁的《无字》和夏洛蒂·勃朗特的《简·爱》都是旨在全面展示女性主体成长的成长小说。两部作品记录女性生命成长的历史时，都浓墨重彩地书写了主人公的“出走”与皈依，展现了女性为追求自身价值和幸福与逆境顽强抗争，从而独立自强的心路历程。两部小说将主人公的成长均集结到“皈依”。简·爱的皈依是“复归乐园”，吴为的皈依却是“走向死亡”，“殊途”同“皈”体现了中西文化价值观的差异。描述女性成长的生命史和心灵史，两部作品都采用了自传性叙事的表现方式，由此增强了作品的艺术感染力。
Both NO Word and Jane Eyre are the Female Bildungsromans that aim at showing people the process of female''s growth.The two novels record the routine of female lives’ growth, they both mentioned a lot about the experience of the character’s escaping, reflecting that females dare to fight against their hard situations and achieving their personal value and happiness.The subjective consciousness of their independence and self-improvement is also strengthened when they’re escaping.Based on showing the road of escaping, both works concentrate their themes on“conversion”. Jane Eyre converts to“returning to the Garden of Eden”, while Mo Word converts to death. The difference between their conversions indicates the differences between the Chinese and Western cultural values. Describing the growth routine of life and heart, both two works used autobiography recount and strengthened the art affect.

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梁南的诗是苦吟中对磨难的审美化提炼，是创作主体特殊情感体验的诗化过程。在其诗歌中出现多重主体辩证统一的矛盾特性：话语主体与写作主体融合的审美幻象下潜伏着隐性裂隙，致使诗人主观情感在对高调歌颂的意识形态自觉皈依中又表现出对个体权利和欲望的潜在诉求，以致在文本裂隙的张力中渗透出对这种无条件皈依的解构。同时主体的辩证性还表现在“我”和整个“归来者”诗群在情感表达上的趋同与个性化疏离。
Liang Nan’s poetry is an aesthetic refining of suffering in his painstaking chanting and the poetic process of special emotional experience of the creation subject. The contradictory feature, that is, the dialectical unity of multiple subjects, appears in his poetry:there is hidden crevice concealing under the aesthetic phantom of the mixture of the main body of speech and the main body of writing, which makes the poet’s subjective feeling express latent appeal for individual rights and desires in conscientious conversion to high-profile praise ideology so that the deconstruction of the unconditional conversion penetrates through the tension of textual crevice. Meanwhile, the dialectic feature is also reflected in the convergence and individualized alienation in emotional expression between“I”and the whole poet group of“revenants”.

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理想信念教育是大学生思想政治教育的核心。民族地区高校一部分大学生由于受多重原因影响而皈依基督教,但其宗教理想信仰背后却引发了大学生基督徒身份困惑问题的出现,因而必须结合实际加强大学生基督徒科学理想信念教育。
The ideal and faith education is the core of ideological and political education. Due to various reasons, some college students in minority-concentrated frontier regionshave convertedto Christianism, but their identity in terms of ideal and faith is confused. Thus the ideal and faith education of college students shall be strengthened.

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陶渊明、谢灵运其人其文深受道教的影响。以往的研究者常常只强调陶、谢对于道教的虔诚皈依,事实上皈依之路,艰难而执着。陶渊明和谢灵运作为道教徒在艰难的求仙之途领悟到了生命的真谛,使其在异常昏暗的政治环境中仍能保持超然、自由的心灵境界。另外,道教教义对于天命的敬畏与对于自然的亲近也深刻地影响到了陶、谢的世界观,使之形成了一种对于自然与天命双向认同的态度。这一点对于准确理解陶渊明的"委运任化"观和谢灵运"守道顺性"观具有积极的意义。
Tao Yuanming and Xie Lingyun had deep relationship with Taoism. Many of studiers believed Taoism was Tao and Xie’s religious belief. In fact, regression path was difficult, but persistent. Becoming an immortal was very difficult, but Tao and Xie discovered endless fun and the place of putting ideal in finding immortal. Tao Yuanming and Xie Lingyun lived in political dim of Jin and Song Chao, and their finding of safe and freedom was the same with Taoism’s. In addition, religious nature of Taoism decided its doctrine''s fear to destiny. They believed nature and destiny .There was a positive significance for understanding Tao''s“along with the fate and spontaneous change”and Xie''s“insist Tao and along with nature”.

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基督教在农村盛行，女性群体不容小觑，她们扮演了重要的传教角色。以甘肃省A村某女信徒为个案，通过对其皈依基督教的过程和宗教生活的深描，展示农村女性基督徒信仰的真实状况，以期获得基督教在农村如此迅速发展的深层次原因。
The important missionary role that women play in the spreading of Christian in rural areas should not be underestimated .This paper takes a woman Christian in a village as an example ,and gives a thick description of her path of converting to Christianity and her religious life to reveal the religious believes of rural women Christians with the aim of digging into the underlying reasons for Christian religion''s rapid spread in rural areas .

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一曲《离骚》，奏不尽的几怀心殇。他毅然纵身一跃，抱石沉江，只抛下一句振聋发聩的千古遗言响彻云霄：“举世浑浊惟我独清，众人皆醉而我独醒”。呈现了屈原的决绝、求索、愤恨和他那执拗不肯皈依的灵魂。目极千里，一片苍茫。捧着鲜花却不知道何处吊唁。
a“Li Sao”, played endless several with heart of shame. He decided to jump, holding the stone river, leaving a eternal words make the welkin ring:said of a great teacher“the cloudy but I only see, everyone is drunk and I alone awake”. The Qu Yuan refuse, search, resentment and his obstinate refused to soul. Extreme distance, a vast. Holding the flowers do not know where.

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大山所蕴育的文化和所承载的生活是云南彝族作家纳张元、李智红创作的重要元素。从纳张元、李智红作品对大山的精神皈依和对大山文化的价值取向等方面，探讨作家的大山情结及大山文化，对少数民族文学创作具有重要的价值和意义。
The culture cultivated and the life supported by mountains are essential elements in Yunnan Yi writer NA Zhangyuan''s and LI Zhihong''s writings. Mountain complex could be detected through the spiritual beliefs in mountains and the values orientation cultivated by mountain. The study pointed out the value and significance of mountain culture to minority literary creation.

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康巴藏族民间故事有很多涉及到人类的真挚情感,比如爱情婚姻故事,这类故事实质是其精神皈依的再现。在此类故事中,我们可以看到邪恶、美好,看到人性中的不同侧面,同时也能看到藏族人民对情感的认识以及其独特的审美情趣和审美观。情感故事是他们向往自由幸福的生活的自然流露。
The sincere affections are involved in many Kham folk tales such as the stories related to love and marriage , which in essence are the carriers of their spiritual beliefs .From these tales , we can catch the vision of the evil and good , even the different humanity , as well as the Tibetans''understanding to-wards feelings and aesthetic values .Thus, these emotional stories naturally reveal the aspirations of Ti-betans for a free and happy life .

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《白鹿原》这部小说,讲述了一个男性的世界,在这个男性世界中有众多的女性,她们过着或顺从或反抗的生活,然而这一反叛和皈依却都没有逃离悲剧的命运,在白鹿原的男性世界中,她们过着悲剧人生,在掌控白鹿原世界的男作者笔下,她们仍旧成为被书写的悲剧对象。
The novel White Deer tells a story of the world of man, in which there are many women, either obeying or resisting the unspoken rules in the world. However, none of the women could be able to escape from their tragic fates. In White Deer, women live tragic life in the world of men and under the pen of the male author of the book, they are still described as tragic objects.

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缪里尔·斯帕克是英国当代颇具影响的小说家,向来以"天主教作家"著称。其作品虽具有浓厚的宗教色彩,但不应限囿于宗教主题的解读范畴。事实上,斯帕克的宗教皈依认知具有后现代哲学思想意味。她的作品是开放的,包含着多种可能性的故事诉说,呈现出中心消解、主题多元、形象迭用、开放叙事的基本特色,折射出她创作中的后现代诉求。
Muriel Spark has long been entitled“Catholic Writer”. The thesis tries to reveal postmodernism in Muriel Spark’s writing at-titude and style presented by her works. Either her religious conversion or her writing principle embodies an essence of postmodernism.

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