节令组诗的大量出现是宋诗嬗变过程中一个独特的现象。和宋前相比，这些组诗呈现出更加深厚的民俗文化意蕴，尤其生动地志录了宋人极具世俗娱乐性、地域性和村野精神的节令图景。为突显纪实性，组诗用语明快浅易，谐趣直白，富于节令生活的意味。组诗之诗题、注释、诗序等副文本所具有的亚叙事性功能亦对节令风俗加以充分描摹。组诗还和相关地理类民俗志书互证互释，进一步深化了纪录节俗的深度和广度。宋代节令组诗的新变标志着民俗对文学发展的渗透与影响，同时亦表现了文学刻画和反映民俗的互动趋势。

With the enrichment of festival customs in Song Dynasty,poets consciously chose the form of group of poems,which was a meaningful phenomenon in the evolution of Song poetry.The group of po-ems in Song Dynasty showed more cultural folklore and especially recorded vivid festival pictures of secu-lar entertainment,regional characteristic and village spirit.In order to highlight the documentary,the group of poems was plain and full of joy and life.The topic,annotation and prefaces of poems which had sub-narrative function fully described the festival customs.The poems also explained with the relevant geographical folk books and further deepened the extent of description.The change of group of poems marked the intimate interaction between folklore and literature.

崇高的特点是:美处于主客体的矛盾激化中。它具有一种压倒一切的强大力量,是一种不可阻遏的强劲气势。在形式上往往表现为一种粗犷、激荡、刚健、雄伟的特征,给人以惊心动魄的审美感受。①毛泽东诗词中长征组诗占据着特殊的地位,有着独特的艺术魅力,他的诗词充满了乐观主义与进取精神;革命浪漫主义与现实主义并存;诗史结合、哲理入诗,具有崇高美感。长征组诗以阳刚之美为主,豪放大气之作见长;典雅与通俗相结合,使得诗句读起来朗朗上口却又不乏文学涵养;一言以蔽之:毛泽东诗词极具崇高美。

The features of Sublime beauty is:Beauty is the main object of the intensification of the conflict. It has an overwhelming powerful force, and it is an irresistible strong momentum. Often manifested in the form of a rough, stirring, energetic, majestic features, giving aesthetic thrilling experience. The Long March of Mao Zedong Poems Poetry occupies a special place, a unique artistic charm, his poetry is full of optimism and entrepreneurial spirit; revolutionary romanticism and realism coexist; epic poetry combine philosophy into poetry, with sublime beauty. Long poems mainly to masculine beauty, known as the uninhibited atmosphere; elegant and popular combination of catchy but makes no shortage of literary verse reads conservation;nutshell:Mao Zedong very sublime beauty.

口语诗人陈衍强的组诗《农村娃儿》发表于《人民文学》2007年第11期,2011年该组诗获首届《百家》文学奖。诗人用‘天然去雕饰’的白描手法、以一种看似冷漠实则炽热的情感,关照他热爱的农村、农民,展示处在农村改革拐点的农民的无奈、茫然甚至近乎悲惨的生存状态。

Rural Children written by colloquial poet Chen Yan -qiang was published in the 11th edition of People’s Literature in 2007 and won the first Baijia literature award .Through simple and straight forward writing and with a seemingly cold but a rather passionate affection ,the poet showed his love and care to the country and the farmers .It also revealed the helpless ,aimless and miserable living states of the farmers at the turning point of rural reform .

李白《秋浦歌》与王维《辋川集》是天宝后期创作的表现江南秋浦胜境和北方蓝田辋川佳境的两组山水诗。尽管王、李二人没有交往唱和,也没有受到对方的影响,但两组诗还是存在相同之处:它们都继承了南朝大谢、小谢山水诗的艺术传统,运用五绝组诗描写山水景物。《秋浦歌》《辋川集》的差异主要是:李白重主观抒情,王维重客观描摹;李白受民歌影响,追求"诗中有人",王维则受佛禅影响,追求"诗中有画"、"诗中有禅"。

Li Bai''s Qiupu Poems and Wang Wei''s Wangchuan Collection were two groups of landscape po-etry created in the later of Tianbao age, showing the scenic view of the Qiupu in Jiangnan and the Wangchuan in Lantian. Although Wang and Li had no communication and did not affect by each other, their poems are still in common. They were inherited in XIE Ling-yun and XIE Tiao''s landscape poetry art tradition in Southern Dy-nasties, using the metrical verse of four five-character lines to describe the landscape. The mainly differences between two poems are that Li Bai paid attention to subjective lyric while Wang Wei paid attention objective de-piction;Li Bai was affected by the folk song and pursued“humanity in the poem”while Wang Wei was affect-ed by the Buddhism and pursued “Painting-in-poetry”, and “a Zen poem”.

明清易代之际的文坛领袖钱谦益出降满清,做了"贰臣",过后他又不能自安,晚年为抗清复明活动极力奔走。钱谦益曾为"贰臣"的复杂心态对他后期的文学创作影响深远,在他晚年的重要作品大型组诗《后秋兴》诗中时时流露出愧疚颓靡之意。文章对钱谦益的"贰臣"心魔和《后秋兴》诗文本进行解读,对《后秋兴》大型组诗的创作中"贰臣"心态的影响进行了研究。

Qian Qian-yi was a literary leader in the transitional period from Ming to Qing Dypasty, and he surrendered to the Qing Dynasty, becoming a ＂turncoat official＂. After that he could not feel at ease, turn- ing to a tireless fighter against the Qing Dynasty and tried to restore Ming Dynasty in his old age. Qian Qian- yi＇s ＂turncoat official＂ worry effected his later literary creation, which always showing the mood of guilt in his works Hou Qiu Xing. The article analyzes Qian Qian-yi ＂s such worry and the poetry Hou Qiu Xing, and studies the effects that the former on the latter.