随着数字电视的普及,电视节目无论在数量还是种类上都在不断的增加,给用户带来了众多的可选择性.虽然在选择性上具有了较大的提升,但是用户搜索自己感兴趣的节目成为了一个繁琐的过程.针对这一问题,设计并实现了基于TS传输流的数字电视节目推荐系统.系统分为服务端和客户端,服务端根据数字电视的电子节目指南(EPG)信息,针对每一个节目,利用节目的相关属性形成节目推荐列表,对所形成的节目推荐列表进行TS打包,以TS流的方式进行传输.客户端解析TS流,得到节目推荐列表.

With the popularity of digital television, the television program are constantly increasing in terms of the number or kind , and brought a multitude of optional to the user. Although selectivity has been greatly improved, but the user to search for programs of interest has become a tedious process. To solve this problem, this paper design and simulation of digital TV program recommendation system based on TS transport stream. The system is divided into server and client, The server using the program attributes to the formation of the program recommendation list. The program recommendation information packaged by TS and transport to client. The client analysis TS to get recommendation information.

我国电视法制节目经过近三十年的发展已比较成熟，节目数量、质量大幅提高，总体面貌较之以前有很大改观，但依然存在一些问题。文章从法制节目选材比例不当、法制节目内容泛化、法制节目形式同质化、娱乐化倾向及对当事人权利保护不够等方面分析了当前存在的主要问题和原因，并提出了创作突破的思考路径，包括：细化受众、分别定位，全面拓展节目题材、内容；明晰节目的创作理念，丰富节目的创作形式；加强专业性，提高节目的法制含量；表达真善美，传递人文关怀。

Our TV legal programs serve the legal construction of socialism and the basic strategy of governing the country by law,whose social responsibility and value are reflected not only in the existence of legal education and public partici-pation,but also in overseeing the implementation of the law,safeguarding citizens’rights and interests ,promoting the course of ruling by law.Our TV legal programs have relatively matured with nearly three decades’development,which means the number and the quality of programs have been promoted,the overall appearance has also greatly improved than before.However,there still exist some problems.Based on such aspects as improper proportion of program selection,le-gal content generalization,the tendency of form homogenization and entertainment,inadequate protection of the parties’ rights,this article analyzes the main causes of the current problems and proposes the thinking path of creation break-through,including:thinning audiences,seperate ori

如今，综艺娱乐节目在各类电视节目中收视率位居榜首，其中真人秀节目占据了主场，而且越来越多的综艺节目直接购买海外综艺节目版权。而湖南卫视的亲子类真人秀节目《爸爸去哪儿》引进于韩国MBC电视台的《爸爸！我们去哪儿？》在2013年10月11日晚开播，一亮相便引发了收视狂潮。今年4月浙江卫视也推出亲子类真人秀节目《爸爸回来了》，同年6月湖南卫视继续推出《爸爸去哪儿》第二季。本文试以两档节目为例，浅谈国内亲子类真人秀节目该如何进行创新及进步。

Nowadays, the audience rating of entertainment pro-grams tops the list among various TV programs, and reality TV shows occupy the main position, and more and more entertain-ment programs directly buy the right of overseas entertainment programs. HNTV''s parent-child reality TV show"Where are We Going, Dad?", introduced from“Dad, Where are We Going?”of Korean MBC TV, was set to air on the evening of October 11, 2013, and has been a heated program since then. In April of this year, ZJSTV launched a parent-child reality TV show,"Dad Came Back", while in June of the same year, HNTV launched"Where are We Going, Dad?" (Season 2). Exemplified by the two programs, this paper briefly discussed the innovation and progress of domestic parent-child reality TV shows.

"后婚恋时代"的到来,使普通百姓的情感生活得以在大众面前展现,在相亲类节目的基础上进行后续开发,延续了"相亲"这一前婚恋节目的优良传统的同时,以相亲后情侣或夫妻为主要参加对象的后婚恋情感综艺节目,也开辟另一片收视喜人的节目秀场。天津卫视《爱情保卫战》作为"后婚恋时代"情感综艺节目的代表,其节目形态有特色也有问题,从对该电视节目的节目形态的简要分析中,探析出我国情感类电视节目当前存在的问题,并展望此类节目的发展前景。

"After the marriage era", the ordinary people''s emotional life unfolds in front of the public, subsequent development based on blind date type of program, the continuation of the"fine tradition dating"of the former marriage programs at the same time, to intimate couples or couples to participate in the main object after marriage emotional variety the program, also make a ratings gratifying programs show. Tianjin TV"love battle"as"after representative marriage age"emotion variety show, the program form characteristics also have problems, from a brief analysis of the program of the form, on our emotional TV program of current problems, the prospects for development and Prospect of such programs.

电视选秀节目作为一种备受瞩目的节目类型,自上个世纪末引入我国以后,在长期的发展中逐步形成了自身独特的审美特征。将其置于节目传播与接受的语境中,从受众的角度来反观节目的本体,能够更客观地梳理出此类节目在期待视野、审美空间、认同机制这三个不同纬度上所体现出的审美特质。

As a high-profile kind of program, TV talent show has gradually developed its unique aesthetic features since its introduction in the late tweentith century. Being placed in the context of program communication and recipient and judged from the perspective of the audience, its aesthetic features embodied in three different dimensions, namely, the horizon of expectation, aesthetic space and identity mechanism, can be teased out more objectively.