大别山革命根据地是中国共产党领导革命战争的重要战略基地。在解放战争时期,大别山革命根据地在人民解放战争中发挥了极其重要的作用,在战略防御阶段,它是抵御国民党军对解放区全面进攻的前哨阵地,在战略进攻阶段,它又是人民解放军战略进攻的前哨和尖兵。以大别山革命根据地为中心的中原解放区是夺取全国解放战争胜利的前进基地。大别山根据地和大别山人民为中国新民主主义革命的胜利建立了卓著的功勋。

The Dabie Mountains Revolutionary Base Area is an important strategic base under the leadership of the Communist Party of China during China＇s revolutionary war period. In the period of China＇s War of Liberation, the Dabie Mountains Revolutionary Base played a very important role in the people＇s Liberation War. In the strategic defensive phase, it is the outpost to stand against the Nationalist Party army＇s all-round attack to Liberation Area. In the strategic offensive phase, it became the outpost and polar soldier. The ZhongYuan Liberation Area, taking the Dabie Mountains Revolutionary Base Area as the center, is the forward base to win the Liberation War of China. The base areas and the dabie mountain people made remarkable contribution to the victory of China＇s new-democratic revolution.

孙犁解放区短篇小说中出现的第一人称叙事者可以分为讲故事的“我”和隐含作者的“我”两种类型，它们在价值观上的和谐统一是作品产生清新俊丽风格的深层原因。论文以《邢兰》、《女人们·红棉袄》、《走出之后》和《纪念》四篇小说为例，分别从叙事者“我”的身份、“我”的话语言说方式和“我”所承担的叙事功能三个方面人手，结合孙犁自身的传统文人品性和人道主义情怀解读其解放区短篇小说的艺术魅力。

The first-person narrators in Sun Li ’ s short stories on liberated areas can be classified into two types-the narrator “I” and the “I” implying the author, whose harmony and unity in values is the underlying cause for the fresh and elegant style of the short stories. This paper attempts to interpret the artistic charm of Sun Li’ s short stories on liberated areas in terms of the identity of “I” narrators, the discourse mode of “I” and the narrative function of“I” by sampling four short stories like Xing Lan, Women and Red Cotton-Padded Jackets, etc. and referring to Sun Li’ s self moral character of traditional literati and feelings of humanism.

大别山解放区土改政策的演变深受政治、军事环境影响。最初受我强敌弱和老区经验影响,实行彻底土改,取得一些成效。但随着后来敌强我弱,对形势估量不够和其他主观错误,没有及时转变政策,造成"急性土改",给干部群众造成很大损失。认识到错误后,在中央和毛泽东指示下又实施分地区分阶段有步骤的土改政策。最后根据中央指示重点实施统一战线性质的减租减息政策。土改政策演变过程是一个政策日趋符合实际的过程,体现着土改与军事、干部、群众等工作的互动,充满着中央和地方的思考交流,展示着毛泽东的从谏善断、邓小平的求实思考。大别山解放区土改政策的演变非常典型,为全国其他新区的土改提供了重要借鉴。

The political and military environment had deeply affected the evolution of the land reform policy in the Dabie Mountains liberated areas.In the beginning they performed an exclusive policy which had obtained some achievements.The policy was based on the situation that they were stronger than the enemies and the experiences from the old liberated areas.But during the change of the military environment and other subjective mistakes were taken,likewise the misjudgment of the situa-tion,they were hurried to perform the land reform policy on the same standard which caused serious losses to the cadres and the masses.After they realized the mistakes,they applied a new land reform policy which depended on different areas,different times and performed step by step on the guide of the Central Committee and Mao Ze-dong.At last,they adopted the united front policy which required reduction of rent and interests on the instruction of the Central Committee.The evolution of the land reform

中国的妇女解放运动作为男性唤醒女性的运动,担任启蒙者的男性没有意识到自身潜意识中封建男权传统的残留,并在他们建构新的意识形态的过程中植入新的男权意识。解放区作家孙犁的抗战小说,以诗性之笔勾画了一群生活在冀中平原战争年代的美好女性形象,而在"美好"想象的背后隐含了叙事者男性中心的叙事立场。

Chinese women''s liberation movement as a movement hold by male, the male do not realize that their subconscious residue of feudal patriarchal traditions, and construct a new ideology in their process of implantation of a new man Chauvinism. Liberated Writer Sun Li in its war novels to poetry pen sketch of a group living in the war years Jizhong plain beautiful image of women, and in his Imagine implied the male-centered consciousness.

抒情传统、五四启蒙思想和革命文化结合在一起,构成了孙犁早期创作独特的战争浪漫主义抒情笔调。不论从题材、语言还是表现方法,孙犁早期小说都契合了解放区文学对于新文艺的需要,但实际上其对于中国文学"抒情传统"的继承,对"民族化"的自觉追求与延安理论界所倡导和建构的"民族形式"文学思潮要求并不一致,这也是孙犁与革命主流文化既契合又疏离的真正原因。

Lyrical tradition , May-fourth enlightenment thoughts , the revolution culture , those three combined , constitutes the unique lyrical style of war romanticism of Sun Li''s early works . Judging from the subject -matter and the expression method , Sun''s early creation is really a timely and satisfactory response to the requirements the liberated areas asked the new literature to meet . But on closer examination , it is not difficult for us to find his inheritance of Chinese literature''s lyrical tradition , his conscious pursuit of the “nationalization” , which does not conform to the “national form” established and advocated by the theorists in Yanan . And this is the real reason why Sun both fits into and alienates himself from mainstream culture of the revolution .