在"五四"一代的作家中,郁达夫的作品和人都具有浓厚的时代特征。郁达夫的经历是极具传奇性的,同时也是很有争议的一个人。郁达夫少时性格只是内向腼腆而已,是很自信的,其"卑己自牧"的性情实为日本生活经验所造成。他留日时期没有资本或者象征性的资本超越种族上的距离以满足自己的本能欲望,影响了郁达夫此后对于日本的态度和政治观点以及他对两性的认识。

In the May Fourth generation of writers ,Yu Dafu’s works and himself have strong characteristics of the time .Yu Dafu’s experience is very legendary ,but also a very controversial one .In this article ,I think Yu Dafu is only shy and confident when he was young ,and its “humble themselves from animal husbandry ,” the temperament real life experience in Japan caused .During his stay at no capital or symbolic capital transcend racial distance to meet their instinc-tive desire ,the impact of Yu Dafu thereafter for Japan’s attitudes and political views as well as to his understanding of gender .

郁达夫小说的美学范式经历了一个变化过程,简而言之,他早期的作品往往展示出主人公强烈的焦虑,既包括个体爱情、性欲的焦虑,也包括对国家前途的焦虑,其代表作是《沉沦》;他中期的作品由于理性的日常生活叙事介入文本,原先那种大胆的自我暴露以及强烈的焦虑逐渐有所抑制,这以《春风沉醉的晚上》为代表;直至《迟桂花》等作品出现,郁达夫小说中作为美学价值来源之一的焦虑感实现了美学意义上的化解,其创作趋于成熟,风格亦趋于平和。对郁达夫小说美学范式转变的分析有助于在一定的框架内全面认识和评价郁达夫的小说创作。

Yu Dafu''s novel aesthetic paradigm has undergone a process of change ; In short, his early works show the hero''s intense anxiety, including the self -love, sexual anxiety, including anxiety future of the country .His masterpiece is “Sinking.” In his works of the mid-life narrative as a rational intervention text , the original kind of bold self -exposure , and intense anxiety gradually have been suppressed , in this regard the “Spring Fever” as the representative;Until “Late Osmanthus”,appeared , Yu Dafu''s aesthetic value as a source of anxiety achieves the aesthetic sense of resolving .Its creation more mature style have become more peaceful .

受日本私小说的影响，中国和韩国现代文学文坛上都出现了所谓的“身边小说”这种题材的小说。中国“身边小说”的主要代表性作家是郁达夫，而韩国文坛上，“身边小说”写作特征最为明显的作家当属玄镇键。郁达夫和玄镇健在创作倾向上都表现出写实主义的风格，两者又都受过自然主义思潮的影响，在创作上表现出许多相似性。

Affected by the private novel in Japan, China and South Korea appear the so-called"side novel"in modern literary circle. The main representative writer of"Chinese side novel"is Yu Da-fu, while Xuan Zhen Jian in Korean literary world. Yu Da-fu and Xuan ZhenJian show the realistic style in creation tendency, both affected by the thought of naturalism, show many similarities in the creation.

教学方法是教师和学生为了实现共同的教学目标，完成共同的教学任务，在教学过程中运用的方式与手段的总称。教学方法的选择是高效课堂实现的关键因素，因此，以郁达夫先生《故都的秋》一文的教学方法进行探究，以期能够为高效课堂的实现打下坚实的基础。

The teaching method is often applied by teachers and students in the course of teaching to achieve the common teaching objectives,completing the common teaching tasks.However,the reality of efficient class depends on the choice of teaching method. Therefore, the paper aims to research into the teaching method of this article---“Autumn in Peiping ” written by Yu Dafu,expecting to lay the foundation for the reality of efficient class.

郁达夫的散文、旧体诗以及日记,与古代的文人雅士的诗文一起,参与了闽都(福州)形象的构建。他饱览福建地方史志,对闽都福州的历史变迁,发展脉络把握十分清晰;他具体而细致地描写福州风光、尤其是福州的形制风貌,三面环山,中流一水,城中有山,山中有城等特点;他推崇闽学,景仰闽都人才荟萃,风雅不绝;他赞赏并陶醉于闽都之美女、美食、美味。

Just like some of the ancient Chinese scholars’poetry and prose,Yu Dafu’s essays,clas-sical-style poetry and diaries have participated in the image construction of Fujian provincial capital Fuzhou city.He made an extensive study on Fujian local chronicles and was very clear about the ur-ban evolution of Fuzhou.He also depicted Fuzhou scenery in a detailed manner,especially the city’s construction style.In his description,Fuzhou is a city surrounded by mountains or hills on three sides with a river in middle (going across it),which is mingled with mountains and hills and is also part of the mountains.He highly respected Fujian scholars’learning and the large pool of talents from Fuzhou,and appreciated gentle Fujian women,delicious Fujian foods and local delicacies.