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双语推荐:空灵

空灵境界是中国诗画艺术追求的最高审美境界。它是一种飘逸灵动、虚实有无的艺术境界,展现了宇宙的静穆深远和大自然的生机流荡,体现了艺术家旷远高古的人生情怀。空灵境界作为一种审美意蕴,体现了中华艺术广博深远的审美内涵。
The realm of emptiness is the highest aesthetic realm pursued in the field of Chinese poems and drawings. It is an artistic realm with graceful ethereal nature combining with emptiness and realness, which reveals the solemnness and mysteriousness of the universe and shows the artists’ far-sighting and ancient elegant feelings of life. The realm of emptiness, an aesthetic implica-tion, represents the wide and profound aesthetic connotation of Chinese arts.

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在具体的言语表达中,由于各种语境因素的可能性干扰,使话语在一些关键点上留下缺陷和漏洞。言语中的这种空灵不仅是一种较为普遍的现象,也传达着密集的审美信息,唤起读者新鲜独特的审美情感和体验。像这样蕴味深长、引人深思的"空灵",自然远胜过那直接诉诸言词的"存在"。
In the specific expressions of language , the associative meaning is created because of context .The associative meaning in utterance is not only very universal but also expresses rich communicative value and arouses readers ’ unique aesthetic emotion and experience .The expressive effect of associative meaning is much more powerful than the language itself.

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语气词是汉语的一个独特词类,由于它意义空灵,用法灵活,而使人们对其产生了模糊认识。基于此,本文对秦简中的语气词进行整理与研究,以期求教于大方之家。
Mood words is a unique part of Chinese Language .And people have a vague understanding of mood words due to its ethereal meaning and flexible usage .We will have a comprehensive research on Qin bamboo slips ,which has an important significance in promoting the depth of Chinese system study .

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“清空”是姜夔张炎词作的共同风格之一。姜张词清空风格的比较可以从三个方面进行考察:一是姜张“清空”情不空,但是他们的情感较为单一,始终是心事重重,郁郁寡欢;二是“清空”意境当是空灵遥深,若想构成这样一种意境,则要从构成意境的诸多意象来实现。三是“清空”当须侧面着笔,虚处传神,姜夔词的空灵感是张炎始终所未及的。当“清空”成为姜张词的符号后,它便不再仅仅指一种词风,而是上升为一种精神的象征。
illusion is the common ground between Jiangkui and Zhangyan .This common ground can be de‐tected from three aspects .The first one is"contain abundant sentiment".Whether anxious or unhappy is present a pure style .Jiangkui and Zhangyan always consider the life but they are gloomy to the true‐life . The second one is poetic imagery which including clear circumstances and clear objects .The third one is emphasized indirect writing J.iangkui got more spaciousness than Zhangyan ,so Zhangyan is always plainer than Jiangkui .When illusion has become a character of the two poets ,this word is not only refers to one sytle of Ci ,but more related to a certain spirit .

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以洛可可设计公司"上上禅品"中的系列作品为例,探讨产品禅意的内在精神表达——即变实在为空灵、变繁杂为简单、变造作为自然,并分别从造型、色彩、材质三个方面探讨产品禅意的外在表现形式。
This article, taking a series of works of " Shang Home" of LKK Design Company as an example, discusses the inner spiritual expression of Zen of the product:changing the entity into airiness, complication into simplicity, artificiality into nature, and discusses the external manifestation of Zen of products from modeling, color, and material three aspects.

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王维是盛唐著名的山水田园诗人之一,他的诗空灵飘逸,意味隽永,富有禅趣与禅意,开创了“以禅入诗”,将“禅趣”“禅意”完美融合的诗歌新境界。这与他一生与佛教结下不解之缘有着十分密切的关系。
Wang Wei is one of the famous landscape pastoral poets of the Tang Dynasty.His poetry is ethereal, meaningful, and full of reclusion and theories of Zen Buddhism.He pushed forward the creation of poetry into a new realm with the perfect com-bination of the"reclusion of Zen Buddhism"and"doctrine of Zen Buddhism” by “integrating Zen Buddhism into poetry”, which made him an indissoluble person with the Zen Buddhism.

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在《红楼梦》群芳诗词中,作者运用巧妙细致的写作手法,将人生的悲幻感受渗透其中,这里面既有佛家出世与空灵、“色即空”等悲幻意蕴,也有道家人生如梦、顺性适情和追求在世的诗意生存气息,同时它们也是《红楼梦》群芳们青春生命的写真。
In the women’s poetry of the Dream of Red Mansions , the author artistically narrated the sorrow and joy of the life, with the implication of the born and ethereal , the form of emptiness , as well as the Taoism living attitude of life as dream, pursuing this life etc ., which were also the portrait of youth life of the women in the novel .

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陶渊明作为中国第一大隐逸诗人,以其任真自得的人格和悠远空灵的诗心创作了大量浑然自成一体的诗篇,在简单质朴的语言和恬静悠远的田园中探讨了天地人之间的关系,展现了天人合一、物我相生、天不可抗、事在人为的哲学思想。
Tao yuanming as the first hermit Chinese poet , his straightforward personality and poetic heart let him created lots of poem which has the natural character.He was good at exploring the relationships between heaven and earth with simple language and distant quiet pastoral , showing the philosophy of harmony between man and nature, the canonical destiny , and the can-do spirit.

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简单介绍了明代士阶层的产生及其发展,结合明代吴地士阶层提出的家具设计理论,从造型、材料、结构、装饰四个方面分析了吴地士阶层审美风尚对明式家具设计的影响,体现了中国传统士阶层在文化方面含蓄、空灵、静谧、自然的风韵。
This paper simply introduced the generation and its development of Ming Dynasty invincible scholar class,combining with the proposed furniture design theory of Ming Dynasty scholar class,from modeling,material,structure,decoration four aspects analyzed the influence of invin-cible scholar class aesthetic fashion to Ming Dynasty furniture design,reflected the charm of China traditional scholar class in culture implicitly, ethereal,quiet and nature.

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林黛玉的个性化语言主要表现在她经常使用含讥带讽的语言,而这种讥讽语言又具有空灵巧妙、委婉婉曲的特点。她的个性化语言还具有风趣幽默、典雅雅致、率真率性等的特点。在她诗意的生存空间里,她喜欢写诗,并且语言也具有诗化特征。
Lin Daiyu’ s personalized language was reflected in often using ironical language which has the characteristics of wit and intelligence, euphemism and implicity.Her personalized language has also the characteristics of humor, ele-gance and straightforward.In her poetic survival space, she likes to write poetry, and the language has poetic features.

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